Whistler Film Festival 2018 Filmmaker Interview: Kristina Wagenbauer, director of SASHINKA

Whistler Film Festival 2018 Filmmaker Interview: Kristina Wagenbauer, director of SASHINKA

First-time feature director Kristina Wagenbauer’s Sashinka is a family drama that revolves around tensions between mother and daughter. Talented young musician Sasha’s life and burgeoning career are completely disrupted when her mother, an attractive yet shockingly adolescent and alcoholic Russian emigre, shows upon her doorstep, desperate for a place to stay. The scene is set for their emotionally fraught confrontation that is the film’s affecting climax. Sashinka was nominated for the EDA Award for Best Female-Directed Feature at Whistler Film Festival 2018.

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Whistler Film Festival 2018 Filmmaker Interview: Meryam Joobeur, director of BROTHERHOOD

Whistler Film Festival 2018 Filmmaker Interview: Meryam Joobeur, director of BROTHERHOOD

Filmmaker Meryam Joobeur’s 25 minute narrative film takes us to rural Tunisia and into the life of a hardened shepherd, Mohamed, who is deeply shaken when his estranged son Malik, who’d left the family to fight for ISIS, returns home with a Syrian wife. Tensions between father and son slowly build into an inevitable and heartbreaking confrontation with devastating results. Brotherhood is the recipient of AWFJ’s EDA Award for Best Female-Directed Short at Whistler Film Festival 2018.

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Whistler Film Festival 2018 Filmmaker Interview: Caroline Monnet, director of EMPTYING THE TANK

Whistler Film Festival 2018 Filmmaker Interview: Caroline Monnet, director of EMPTYING THE TANK

Caroline Monnet’s ten-minute documentary short, Emptying the Tank, is a profile and tribute film about Ashley Nichols, a masterful Chippewa female mixed martial artist. The film eloquently captures, demonstrates and celebrates the athlete’s inner strength, fortitude, and her steadfast dedication to her physical and spiritual health.

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Whistler Film Festival 2018 Filmmaker Interview: Sophie Dupuis, director of FAMILY FIRST

Whistler Film Festival 2018 Filmmaker Interview: Sophie Dupuis, director of FAMILY FIRST

Sophie Dupuis’ first feature is Canada’s selection for this year’s Foreign Language Oscar category. Family First is a a hard-hitting, crime-tinged drama about a totally dysfunctional family. JP, a 20-something guy, lives with his alcoholic mother and 19 year-old brother whose behavior is best described as psychotic. The family is ruled by JP’s drug-dealing Uncle Dany, who uses the brothers to collect debts. JP tries to avoid violence, his brother enjoys it. JR is torn between loyalty to his mother and brother and his deep-seated wishes to create a better life for himself and his girlfriend. The plot is intense, the script, direction and performances are superb. Family First is the recipient of an AWFJ EDA Award for Best Female-Directed Feature at the noWhistler Film Festival 2018.

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Whistler Film Festival 2018 Filmmaker Interview: Gillian McKercher director of CIRCLE OF STEEL

Whistler Film Festival 2018 Filmmaker Interview: Gillian McKercher director of CIRCLE OF STEEL

In Gillian McKercher’s Circle of Steel, corporate interests butt against personal ethics, as an Asian Canadian engineer, Wendy Fong, gets a job working in the Alberta oil fields. A sometimes satirical and largely sympathetic depiction of life in the oil and gas industry, life can become numbingly routine, especially amidst constant rumors of layoffs related to market pricing for oil and gas products. Wendy takes dubious advice from her co-workers, who largely congregate in local bars to burn off steam when not working. Complications ensue when she finds out that layoffs are officially announced making her very unsure about the future she has worked so hard for. Circle of Steel has been nominated for an AWFJ EDA Award at Whistler Film Festival 2018.

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Whistler Film Festival 2018 Filmmaker Interview: Ariane Louis-Seize Director of LITTLE WAVES

Whistler Film Festival 2018 Filmmaker Interview: Ariane Louis-Seize Director of LITTLE WAVES

Ariane Louis-Seize; 12 minute dramatic short is a provocative coming of age story about Amelie, who is thrown off guard when her cousin (who is her first crush) brings a new love interest to an otherwise mundane family reunion. This upheaval sparks Amelie to explore her sexuality, experiencing sensations far more powerful and surprising than […]

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Whistler Film Festival 2018 Filmmaker Interview: Rama Rau, Director of HONEY BEE

Whistler Film Festival 2018 Filmmaker Interview: Rama Rau, Director of HONEY BEE

In Rama Rau’s Honey Bee, Natalie is an underage truck stop hooker working for a pimp who claims to love her, but regularly abuses She is stopped by authorities and sent to a home, actually a working farm, run by a tough love matriarch played with authority by Martha Plimpton. Natalie can’t stand the chores and the discipline, and runs away, eventually rejoining her pimp. Julia Sarah Stone is outstanding as Natalie. Director Rama Rau continues her feminist explorations of women with bad reputations, following up on her 2015 documentary on aging burlesque queens League of Exotic Dancers. Honey Bee is a moving and credible drama that points out the dead-end choices that many young women are given little option but to make. The filmis nominated for the EDA Award for Best Female-Directed Feature at 2018 Whistler Film Festival.

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Indian Filmmaker Nandita Das and MANTO – Mythily Ramachandran reports

Indian Filmmaker Nandita Das and MANTO – Mythily Ramachandran reports

The first Indian to be inducted into the International Women’s Forum’s Hall of Fame, filmmaker Nandita Das is a multi-hyphenated talent. She debuted as an actress in 1995, has worked with acclaimed director Deepa Mehta, and began directing in 2008. Her Manto is now playing international festivals.

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NYFF18: Just 4 Out of 30 Main Slate Films are Female-Directed – Melissa Hanson reports

NYFF18: Just 4 Out of 30 Main Slate Films are Female-Directed – Melissa Hanson reports

In 2017, New York Film Festival (NYFF) announced that its main slate lineup featured the most female-directed films in 10 years. This year it’s back to being below average with just four female-directed films in the lineup of 30. Even more striking, the festival’s record number was only eight of 25. Only 32% and that’s the highest percentage in 10 years. To date, NYFF has made no mention of an equality pledge, nor commented on the inclusion rider circulating in Hollywood, and it shows.

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NYWIFT’s AfriAmerican Immigrant Screening: Local Stories, Global Themes — Madeline Johnson reports

NYWIFT’s AfriAmerican Immigrant Screening: Local Stories, Global Themes — Madeline Johnson reports

Filmmakers from the African diaspora shared local stories that reverberated deep into universal themes and questions as part of New York Women in Film & Television’s (NYWIFT) Women Filmmakers: Immigrant Stories screening. Featured in this fourth season of NYWIFT’s series highlighting narrative and documentary shorts about the New York immigrant experience, these films tackled issues ranging from the #MeToo movement to President Trump’s travel ban, from immigrant experience to what it means to be American.

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Ted Geoghegan on showing respect in MOHAWK — Hope Madden Interviews (Exclusive)

Ted Geoghegan on showing respect in MOHAWK — Hope Madden Interviews (Exclusive)

Filmmaker Ted Geoghegan has been making horror movies since 2001 when he began writing primarily low-budget European horror. His award winning 2015 break out film. We Are Still Here, a haunted house tale starring beloved genre staple Barbara Crampton, marked him as a director worth attention. He leveraged that success to tell a story he’d been mulling for years, a genre hybrid that breaks new ground called Mohawk.

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Women on Top @ Whistler Film Festival Keynote Address — Valerie Creighton, Director, Canada Media Fund

Women on Top @ Whistler Film Festival Keynote Address — Valerie Creighton, Director, Canada Media Fund

Given the rapidly changing media landscape, the Canadian government announced it was open to making further changes to the Canada Media Fund program by ensuring that we have the tools and the flexibility to adapt our support for the screen-based sector. Hallelujah – finally!! We know that 18/19 will be a transition year but we will be consulting from coast to coast to coast to seek your advice on how you see the future of content unfolding.

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Chanda Chevannes on Making UNFRACTURED, Activism and Refusing to ‘Play the Part’

Chanda Chevannes on Making UNFRACTURED, Activism and Refusing to ‘Play the Part’

On a chilly November evening in 2014, I was sitting in a rental car outside the county jail in Watkins Glen, New York. My video camera was turned on, and resting in my lap. I had already set my white balance, exposure, and focal length. And since I had nothing to do but sit in the dark parking lot and wait, a steady stream of thoughts began to run through my mind. Or, more accurately, one thought raced around in there: Why am I doing this to myself?

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Pamela Yates talks 500 YEARS and Career Commitments (Exclusive) — Jennifer Merin interviews

Pamela Yates talks 500 YEARS and Career Commitments (Exclusive) — Jennifer Merin interviews

Pamela Yates makes movies that make a difference. Some 35 years in the making, Yates’ trilogy, The Resistance Saga, is a series of documentaries about the Mayan people’s human rights struggle in Guatemala. The films actually helped to change the course of history in that country. Footage from the first film was used as forensic evidence to convict former Guatemalan dictator Efrain Rios Montt of crimes against humanity. The trial was covered in the second film, and the third brings us up to date, while setting the entire saga with the context of a long history of exploitation, abuse and genocide. Read what Yates has to say about her career and the challenges and opportunities inherent in documentary filmmaking.

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Filmmaker Interview: Directors Sabine Krayenbühl and Zeva Oelbaum on LETTERS FROM BAGHDAD

Filmmaker Interview: Directors Sabine Krayenbühl and Zeva Oelbaum on LETTERS FROM BAGHDAD

Letters from Baghdad tells the little-known story of Gertrude Bell, an extraordinary women, sometimes called the “female” Lawrence of Arabia. Bell was a British spy, explorer and political powerhouse who traveled widely in Arabia before being recruited by British military intelligence during WWI to help draw the borders of Iraq. Her strongly independent opinions and skillful negotiations helped shape the modern Middle East. Read what Letters from Baghdad directors Sabine Krayenbühl and Zeva Oelbaum have to say about Gertrude Bell, their compelling documentary and how it came to be.

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AWFJ EDA Award @ DOXA 2017 Filmmaker Interview: Heather White on COMPLICIT

AWFJ EDA Award @ DOXA 2017 Filmmaker Interview: Heather White on COMPLICIT

While people in the West use smartphones to live healthier, happier lives, the construction of such devices has horrific health effects on the people who actually make them. Complicit shines a light on the dark irony of the global electronic manufacturing industry in China, where 90% of the world’s consumer electronics are produced, including 70% of its cell phones. While people in the West use smartphones to live healthier, happier lives, the construction of such devices has horrific health effects on the people who actually make them. Complicit shines a light on the dark irony of the global electronic manufacturing industry in China, where 90% of the world’s consumer electronics are produced, including 70% of its cell phones. Read what Complicit co-direcxtor Heather White has to say about her compelling expose and how it came to be.

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AWFJ EDA Award @ DOXA 2017 Filmmaker Interview: Jessica Kingdon on COMMODITY CITY

AWFJ EDA Award @ DOXA 2017 Filmmaker Interview:  Jessica Kingdon on COMMODITY CITY

China’s Yiwu Market is one of the largest shopping complexes in the world. Gorgeously shot, thematically focused and politically resonant, Jessica Kingdon’s ethnographic essay film blurs the boundary between consumer goods and the humans who sell them. Malls consume more than they are consumed, Small spaces, time lost,immersion in distraction. Read what Jessica Kingdon has to say about the making and meaning of her film.

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AWFJ EDA Award @ DOXA 2017 Filmmaker Interview: Rawane Nassif on TURTLES ARE ALWAYS HOME

AWFJ EDA Award @ DOXA 2017 Filmmaker Interview: Rawane Nassif on TURTLES ARE ALWAYS HOME

In Rawane Nassif’s unusual short Documentary, Turtles Are Always Home, Qatar’s pastel-hued buildings form the backdrop for an engagingly enigmatic film essay. The only signs of life are captured as reflections in windows and on water. What a stunning way to tell a story. Read what filmmaker Rawane Nassif has to say about her intent and methods.

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AWFJ EDA Award @ DOXA 2017 Filmmaker Interview: Alexandra Gaulupeau on LIFE AT A SNAIL’S PACE

AWFJ EDA Award @ DOXA 2017 Filmmaker Interview: Alexandra Gaulupeau on LIFE AT A SNAIL’S PACE

Filmmaker Alexandra Gaulupeau takes us into the unique world of Marla Coppolino, a malacologist (snail expert), artist and self-proclaimed spokesperson for the largely misunderstood diminutive species of land snails. Through the creation of elaborate miniature scenes and cello scores, Coppolino displays her own mighty appreciation for the tiny, slimy (and surprisingly sexy) creatures! Read what Alexandra Gaulupeau has to say about making her first film, microphotography and mini-budgeting and connecting people to the natural world.

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AWFJ EDA Award @ DOXA 2017 Filmmaker Interview: Claire Simon on LE CONCOURS

AWFJ EDA Award @ DOXA 2017 Filmmaker Interview: Claire Simon on LE CONCOURS

Le Concours, translated as “The Entrance Exam,” is an in-depth and intimate look at the students applying to La Fémis, one of the world’s most famous and prestigious film, where filmmaker Claire Simon was Head of Directing Studies. As the budding cinéastes struggle to find a place, the narrative spends a good deal of time with their interlocutors, pulling back the curtain to reveal the depth of seriousness and care that is extended to the students. Impassioned arguments about merit, and the very nature of cinema are hurled into the air. Read what Claire Simon has to say about her most recent project.

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AWFJ EDA AWARD @ DOXA 2017 Filmmaker Interview: Yan Su Chun on DROKPA

AWFJ EDA AWARD @ DOXA 2017 Filmmaker Interview: Yan  Su Chun on DROKPA

Filmmaker Yan Chun Su’s gorgeous observational film captures life on the Tibetan Plateau. The last of Tibet’s drokpa (nomads) lead herds of yak and sheep over hilly grasslands. No longer limitless and free- ranging, they move across sections of pasture, now allotted to them by the Chinese government. Read what Yan Chun Su has to say about the changing environment, nomadic life, organic filmmaking and her career.

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AWFJ EDA Award @ DOXA 2017 Filmmaker Interview: Cat Mills on FIXED!

AWFJ EDA Award @ DOXA 2017 Filmmaker Interview: Cat Mills on FIXED!

Repair cafes are popping up around the world as a community-based antidote to throwaway culture. In Cat Mills’ EDA Award-nominated short,
Fixed!, we get a glimpse inside Canada’s first repair cafe in Toronto, where a team of dedicated volunteers are helping their neighbors, one fix at a time. Read what she has to say about her beautifully crafted film, its riveting subjects, and her career.

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AWFJ EDA Awards @ DOXA 2017 Filmmaker Interview: Elisa Chee on LUCY

AWFJ EDA Awards @ DOXA 2017 Filmmaker Interview: Elisa Chee on LUCY

Vancouver-based filmmaker Elisa Chee uses masterful animation to recall the story of a domesticated chimpanzee called Lucy and a human named Janis Carter, the caretaker who made it her life’s work to rehabilitate Lucy and return her to her natural environment. /Read what she has to say about her beautifully crafted short film, its subjects, animation in documentaries and her career.

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Cady McClain on making SEEING IS BELIEVING: WOMEN DIRECT

Cady McClain on making SEEING IS BELIEVING: WOMEN DIRECT

Cady McClain has traveling the globe, speaking to female directors and documenting their stories for her serialized documentary, Seeing is Believing: Women Direct. Not yet complete, the documentary is intended to elucidte the skills and tools needed to succeed as a woman in the directing field . Here, McClain writes about her own filmmaking process, why she’s making this documentary series and what she’s learning from doing so. Read on…

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Women on Top Summit @ Whistler Film Festival: Keynote Address by Valerie Creighton, Canadian Media Fund

Women on Top Summit @ Whistler Film Festival: Keynote Address by Valerie Creighton, Canadian Media Fund

At Whistler Film Festival’s spirited Women on Top Summit (held December 3, atop Whistler Mountain), Canada Media Fund’s president and CEO Valerie Creighton affirmed and underscored Canada’s commitment to reach parity for women working in all aspects of the country’s moving image industries. Creighton’s speech provides comprehensive coverage of status and strategies re Canada reaching the goal of gender parity. The entire address is published here. Read on….

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