SWEAT – Review by Marietta Steinhart

SWEAT – Review by Marietta Steinhart

Few films have pictured the Social Media phenomenon as empathically as Sweat. Thanks to a powerhouse performance by Magdalena Koleśnik, Sweatallows for a very nuanced and kind look at a profession that has been demonized and mocked. Watching movies about people staring at their phones is usually about as stimulating as watching grass grow. This is not the case here. Koleśnik’s energy is contagious.

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NEVER GONNA SNOW AGAIN – Review by Marietta Steinhart

NEVER GONNA SNOW AGAIN – Review by Marietta Steinhart

There is a spellbinding sense of fairy tale realism to Małgorzata Szumowska’s latest, her first co-directed film with long-time cinematographer Michał Englert. Never Gonna Snow Again is loaded with social commentary – it’s wicked and quietly wonderful. With nothing but a fold-up table under his arm, a mysterious Ukrainian masseur walks into an anonymous gated Polish community, not unlike American Suburbia in Tim Burton’s gothic fairy tale Edward Scissorhands (1990), a surreal punch at capitalism in the Reagan Era. The bourgeoisie seemingly has it all, yet their lives are empty and grotesque.

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DIRECTOR ROHENA GERA Chats SIR – Mythily Ramachandran interviews

DIRECTOR ROHENA GERA Chats SIR – Mythily Ramachandran interviews

Director Rohena Gera’s debut feature film, Sir broke all stereotypes of Indian cinema with a story that explored the changing dynamics of a relationship between Ashwin-a affluent young man and Ratna-his live-in domestic help. In India where caste and position in society determines relationships, Sir was much appreciated for its sincerity and honest narration. Sir premiered in the Critics Week at Cannes (2017) winning acclaim. Gera became the first woman filmmaker to receive the Gan Foundation award as well as a prize at the Cannes Critics Week.

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IS LOVE ENOUGH SIR? – Review by Mythily Ramachandran

IS LOVE ENOUGH SIR? – Review by Mythily Ramachandran

Is Love Enough Sir? is a tale of forbidden love. Rohena Gera marks her debut with a heart- warming and poignant story that holds a mirror to the class divide in India. This is Rohena Gera’s debut feature film in Hindi. The film won a Cannes Critic Week award in 2018 and is now streaming on Netflix.

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Whistler Film Festival Filmmaker Interview: Wendy Morgan on SUGAR DADDY

Whistler Film Festival Filmmaker Interview: Wendy Morgan on SUGAR DADDY

Some films jump off the screen to announce the arrival of vital new talent. Such is the case with Wendy Morgan’s Sugar Daddy, starring Kelly McCormack in a tour de force performance as Darren, a new age music composer and performer who is trying to break into the record industry. Sugar Daddy is the opening film for Whistler Film Festival 2020.

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SHAKUNTALA DEVI – Review by Mythily Ramachandran

SHAKUNTALA DEVI – Review by Mythily Ramachandran

Shakuntala Devi is a spirited tale of India’s mathematical genius. Vidya Balan completely owns the titular role while bringing alive this rags to riches story in director Anu Menon’s film.

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KARUPPU DURAI ​- Review by Mythily Ramachandran

KARUPPU DURAI ​- Review by Mythily Ramachandran

Karuppu Durai celebrates life and it’s little joys. An old man who awakes from a coma escapes his family’s intention to go ahead with ‘thalaikoothal’ (a traditional practice of involuntary euthanasia of an elderly person that was prevalent in south India). He meets a young orphan and begins a great adventure. KD won director Madhumita ‘Best Director’ award at UK Asian Film Festival, London where it premiered and received the ‘Jury award’ at Singapore South Asian Film Festival.

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EL CAMINO: A BREAKING BAD MOVIE – Review by Lesley Savage

EL CAMINO: A BREAKING BAD MOVIE – Review by Lesley Savage

Breaking Bad fans jonesing for a fix of the critically-acclaimed AMC TV show, about a high school chemistry teacher diagnosed with terminal cancer who becomes a methamphetamine cook to leave money for his family upon his death, will score big with El Camino: A Breaking Bad Movie,” appearing in select theaters nationwide for a three-day run and on Netflix before airing on AMC.

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HOUSE OWNER – Review by Mythily Ramachandran

HOUSE OWNER – Review by Mythily Ramachandran

Indian actor-director Lakshmy Ramakrishnan stands apart with her stories pivoted around women that are portraits of people who are human. Her fourth Tamil (south Indian language) film, House Owner talks about living with a spouse suffering from Alzheimer’s-a premise not much explored in south Indian cinema or even Indian cinema.

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THE WIND – Review by Marietta Steinhart

THE WIND – Review by Marietta Steinhart

Going back and forth in time while remaining in the same desolate cabin, Emma Tammi’s directorial feature debut The Wind journals the unraveling of Lizzy , a German immigrant and sensitive frontierswoman, holding down the farm with a rifle while her husband, Isaac, rides off into the sunset.

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Marvelous Women at Palm Springs International Film Festival 2019 – Marietta Steinhart reports

Marvelous Women at Palm Springs International Film Festival 2019 – Marietta Steinhart reports

Programmed by a team consisting of six remarkable women, including Lili Rodriguez, Alissa Simon, Hebe Tebachnik, Therese Hayes, Jessica Eskelin, and Jane Schoettle (from the Toronto International Film Festival), plus former Newsweek critic, David Ansen and artistic director Michael Lerman, the 2019 Palm Springs International Film Festival showed 228 films of which 55 were either directed or co-directed by women (about 24 percent), leaving room for more female directors in the future. Nevertheless the festival has no lack in films with or about women.

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COLD WAR – Review by Marietta Steinhart

COLD WAR – Review by Marietta Steinhart

Four years after winning an Oscar for best-foreign-language film for Ida, author and director Pawel Pawlikowski has returned with three-time Oscar-nominated Cold War, a meticulously composed story of love shattered by the Iron Curtain, and temperaments. It will break your heart, but never mind: despair has never looked so gorgeous.

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SHOPLIFTERS – Review by Marietta Steinhart

SHOPLIFTERS – Review by Marietta Steinhart

Hirokazu Kore-eda’s Shoplifters is a tender, strangely powerful and sad exploration of what makes a real family and implies that we often find true compassion among the strangers we encounter in the world. The film won the Palme d’Or at Cannes in 2018, claimed the FIPRESCI Prize for Best Foreign Language Film at the 30th Palm Springs International Film Festival this January and is nominated for a best foreign-language film Oscar.

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