Uniqueness in the Age of Global Aesthetics – Katia Shannon

Uniqueness in the Age of Global Aesthetics – Katia Shannon

Filmmakers are encouraged to develop a distinguishable aesthetic to pierce through the clutter. But it might be harder than ever to achieve. Where you are from and what your films should look like, are not interdependant anymore. That’s exciting, but the globalization of aesthetics is both a brilliant opportunity and a trap. The challenge lies in embracing the opportunity of a cross-cultural digital dialogue while recognizing what makes your world view unique and inimitable. The good news is, that it’s already around you, beckoning for attention.

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A Filmmaker’s Musing: Passion vs Ambition – Katia Shannon

A Filmmaker’s Musing: Passion vs Ambition – Katia Shannon

Instead of asking myself, how do I find the ‘Right’ people/project/time, how about I ask, what does my current track record say about my passion and ambition? If I were a stranger looking at my work, would I be able to understand my unique and specific aspirations and the passion that fuels them?

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Filmmaker Katia Shannon on “How I Watch Films as a Film Director”

Filmmaker Katia Shannon on “How I Watch Films as a Film Director”

A few years ago, during an undergraduate film studies class viewing of Michael Snow’s Wavelength, I was struggling to find anything positive about the 40-minute imperceptibly slow zoom we were watching unfold. After reconsidering the value of my student loan, and whether or not people would notice if I took a quick nap, something great happened. I dove into a contemplation of the nuances between entertainment, appreciation, and enjoyment.

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Whistler Film Festival Interview: Katia Shannon on STANDSTILL

Whistler Film Festival Interview: Katia Shannon on STANDSTILL

Katia Shannon’s Standstill is about a young woman who arrives at an intersection in her life. On the way to starting a new life with her boyfriend, Amanda gets stuck in traffic. Her fight to get through the gridlock turns into a fight for survival as her body comes to a standstill. With panic mounting, Amanda must face her deepest vulnerabilities in order to survive. Standstill has been nominated for an EDA Award at Whistler Film Festival 2019. Here’s what Shannon has to say about her deeply personal short film.

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