Whistler Film Festival 2018 Filmmaker Interview: Meryam Joobeur, director of BROTHERHOOD

Whistler Film Festival 2018 Filmmaker Interview: Meryam Joobeur, director of BROTHERHOOD

Filmmaker Meryam Joobeur’s 25 minute narrative film takes us to rural Tunisia and into the life of a hardened shepherd, Mohamed, who is deeply shaken when his estranged son Malik, who’d left the family to fight for ISIS, returns home with a Syrian wife. Tensions between father and son slowly build into an inevitable and heartbreaking confrontation with devastating results. Brotherhood is the recipient of AWFJ’s EDA Award for Best Female-Directed Short at Whistler Film Festival 2018.

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Whistler Film Festival 2018: Lara Zeidan, director of THREE CENTIMETRES

Whistler Film Festival 2018: Lara Zeidan, director of  THREE CENTIMETRES

In Lara Zeidan’s nine-minute short film is a dense and claustrophobic drama in which four teenage Lebanese girls go on a ferris wheel ride to cheer one of them up after a breakup. They find their friendships put to the test while they are suspended high above Beirut, as secrets are revealed and tensions rise. The drama culminates in an unexpected confession.

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Whistler Film Festival 2018 Filmmaker Interview: Caroline Monnet, director of EMPTYING THE TANK

Whistler Film Festival 2018 Filmmaker Interview: Caroline Monnet, director of EMPTYING THE TANK

Caroline Monnet’s ten-minute documentary short, Emptying the Tank, is a profile and tribute film about Ashley Nichols, a masterful Chippewa female mixed martial artist. The film eloquently captures, demonstrates and celebrates the athlete’s inner strength, fortitude, and her steadfast dedication to her physical and spiritual health.

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Whistler Film Festival 2018 Filmmaker Interview: Gillian McKercher director of CIRCLE OF STEEL

Whistler Film Festival 2018 Filmmaker Interview: Gillian McKercher director of CIRCLE OF STEEL

In Gillian McKercher’s Circle of Steel, corporate interests butt against personal ethics, as an Asian Canadian engineer, Wendy Fong, gets a job working in the Alberta oil fields. A sometimes satirical and largely sympathetic depiction of life in the oil and gas industry, life can become numbingly routine, especially amidst constant rumors of layoffs related to market pricing for oil and gas products. Wendy takes dubious advice from her co-workers, who largely congregate in local bars to burn off steam when not working. Complications ensue when she finds out that layoffs are officially announced making her very unsure about the future she has worked so hard for. Circle of Steel has been nominated for an AWFJ EDA Award at Whistler Film Festival 2018.

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Whistler Film Festival 2018 Filmmaker Interview: Ariane Louis-Seize Director of LITTLE WAVES

Whistler Film Festival 2018 Filmmaker Interview: Ariane Louis-Seize Director of LITTLE WAVES

Ariane Louis-Seize; 12 minute dramatic short is a provocative coming of age story about Amelie, who is thrown off guard when her cousin (who is her first crush) brings a new love interest to an otherwise mundane family reunion. This upheaval sparks Amelie to explore her sexuality, experiencing sensations far more powerful and surprising than […]

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Whistler Film Festival 2018 Filmmaker Interview: Rama Rau, Director of HONEY BEE

Whistler Film Festival 2018 Filmmaker Interview: Rama Rau, Director of HONEY BEE

In Rama Rau’s Honey Bee, Natalie is an underage truck stop hooker working for a pimp who claims to love her, but regularly abuses She is stopped by authorities and sent to a home, actually a working farm, run by a tough love matriarch played with authority by Martha Plimpton. Natalie can’t stand the chores and the discipline, and runs away, eventually rejoining her pimp. Julia Sarah Stone is outstanding as Natalie. Director Rama Rau continues her feminist explorations of women with bad reputations, following up on her 2015 documentary on aging burlesque queens League of Exotic Dancers. Honey Bee is a moving and credible drama that points out the dead-end choices that many young women are given little option but to make. The filmis nominated for the EDA Award for Best Female-Directed Feature at 2018 Whistler Film Festival.

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Women on Top @ Whistler Film Festival Keynote Address — Valerie Creighton, Director, Canada Media Fund

Women on Top @ Whistler Film Festival Keynote Address — Valerie Creighton, Director, Canada Media Fund

Given the rapidly changing media landscape, the Canadian government announced it was open to making further changes to the Canada Media Fund program by ensuring that we have the tools and the flexibility to adapt our support for the screen-based sector. Hallelujah – finally!! We know that 18/19 will be a transition year but we will be consulting from coast to coast to coast to seek your advice on how you see the future of content unfolding.

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Women on Top Summit @ Whistler Film Festival: Keynote Address by Valerie Creighton, Canadian Media Fund

Women on Top Summit @ Whistler Film Festival: Keynote Address by Valerie Creighton, Canadian Media Fund

At Whistler Film Festival’s spirited Women on Top Summit (held December 3, atop Whistler Mountain), Canada Media Fund’s president and CEO Valerie Creighton affirmed and underscored Canada’s commitment to reach parity for women working in all aspects of the country’s moving image industries. Creighton’s speech provides comprehensive coverage of status and strategies re Canada reaching the goal of gender parity. The entire address is published here. Read on….

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AWFJ @ Whistler Film Fest Presents EDAs to Three Women Filmmakers — Jennifer Merin reports

AWFJ @ Whistler Film Fest Presents EDAs to Three Women Filmmakers — Jennifer Merin reports

Returning to Whistler Film Festival for the second year, AWFJ presented EDA Awards to women filmmakers represented in the 2014 program. Of the eight festival-nominated female-directed films, five were narratives and three were documentaries. Honoring the high quality of films in both genres, AWFJ decided to level the fic/nonfic playing field by combining the two categories, and assigning all jurors to vote on all films. That decision resulted in the selection of three EDA Award winners. Read on…

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Canada’s Women In the Director’s Chair Participants Celebrate Each Other’s Work – Filmmaker Rebecca Gibson Bears Witness

Canada’s Women In the Director’s Chair Participants Celebrate Each Other’s Work – Filmmaker Rebecca Gibson Bears Witness

My name is Rebecca Gibson, and I am a filmmaker. A writer, director, producer, and actor. On November 25, 2014, I came from Winnipeg, Manitoba to Vancouver, British Columbia to join a group of eight carefully-selected female filmmakers from across Canada to participate in the nineteenth annual Women In the Director’s Chair program, an internationally respected Canadian professional development offering, specially designed to advance the skills, careers and screen projects of women directors. Read on…

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Women Rule Whistler Film Festival – Literally! — Katherine Brodsky reports

Women Rule Whistler Film Festival – Literally! — Katherine Brodsky reports

Ffounded some 14 years ago by Shauna Hardy Mishaw, who is currently its executive director. WFF, is a significant player within the Canadian film fest circuit,i known for its intimate, casual environment, set by Mishaw’s loyal and tireless admin team, consisting mostly of women, most of whom have been with the festival for years, setting the stage for high-quality film-centric hospitality through which filmmakers and industry honchos mingle, and deals are made not only via scheduled one-on-one meetings, but also in the hot tub or on the ski slopes. The festival continues to grow, and to shine the spotlight on women in film. Read on…

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