MOUNTAINS – Review by Jennifer Merin
Mountains, director/co-writer Monica Sorelle’s moody, beautifully realized drama, is about daily life and strife, community culture and intergenerational relationships and pursuit of the American dream in Miami’s Little Haiti, a working class residential neighborhood where many West Indian families make their homes.
The story of Mountains centers on Xavier (Atibon Nazaire), a seasoned demolition worker and devoted family man. Xavier dreams of buying a larger, newer, more comfortable house for his wife Esperance (Sheila Anozier), a seamstress and school crossing guard, and their adult son, Junior (Chris Renois), a college drop out who is living with his parents while he pursues a career as a stand up comic — a dead end career as far as Xavier is concerned. Esperance is quietly accepting of Chris’ decisions, but tensions between father and son are heightened not only because of Junior’s expressions of independence, but because that independence rejects some fundamental aspects of Haitian culture — for example, Junior speaks English rather than Creole, his parents’ native and preferred tongue.
Xavier is part of a work crew that’s charged daily with the task of demolishing homes in his rapidly gentrifying neighborhood. His heart is set on purchase of one charming house that has been purchased by a development company and put on the demolition crew’s raze roster. The emotional anguish this causes Xavier is palpable.
All of the actors deliver stunning performances. Sorelle’s pacing allows them time to find the truth of the moment, and the authenticity of their emotions is tremendously affecting. Mountains regales us with a lesson in humanity — one that we desperately need to learn.
The Haitian proverb “Dèyè mòn, gen mòn” (which translates to “Beyond every mountain, there’s another mountain”) captures the spirit of the film and explains its title.
