NIGHTBITCH – Review by Susan Granger

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The concept of motherhood is changing. According to a recent Pew Research study, many young adults have decided not to have children – more women than men. They cite many practical reasons – like the environment and high cost of living – but, above all, for women, it’s all about the sacrifices they must make.

So it’s incredibly timely how Amy Adams’ new dark comedy Nightbitch captures both the happiness and horror of motherhood, along with the tedium of suburban domesticity.

Known for her sculptures and installations, Mother (Adams) was once an accomplished artist. Then along came Son (twins Arleigh Patrick & Emmett James Snowden). Mother dutifully stays home to tend to Son while Husband (Scoot McNairy) goes off to work at a job that often takes him out of town.

“Happiness is a choice,” she’s told. But when you’re sleep-deprived/exhausted by being ‘on-call’ 24/7 to a demanding toddler, something’s gotta give insofar as sanity is concerned.

That’s when vulnerable Mother – fueled by anger at Husband – discovers that she’s growing feral, turning into a dog – a magnificent red husky – which doesn’t ultimately bode well for the family cat.

Based on Rachel Yoder’s bizarre 2021 novel, this feminist fable is adapted and directed by Marielle Heller (Diary of a Teenage Girl, Can You Ever Forgive Me?), who often punctuates Mother’s reactions with candid fantasy sequences – like in the grocery store when she rants at the former colleague who took her place at the art gallery or when she’s attending Book Babies sing-alongs at the library.

“I am deeply afraid that I am never going to be smart, or happy, or thin, ever again,” Mother confesses.

Bottom line: the plot examines what happens to a marriage when a modern couple slips into retro gender-defined roles. Inevitably, there’s a challenge and a showdown:

“What happened to my curious, freewheeling wife?” bewildered Husband inquires. “She died in childbirth,” is harried, haggard Mother’s resentful reply.

On the Grange Gauge of 1 to 10, Nightbitch is a perceptively bitter, sardonic, surreal 7 – streaming on Hulu and Hulu through Disney+.

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Susan Granger

Susan Granger is a product of Hollywood. Her natural father, S. Sylvan Simon, was a director and producer at R.K.O., M.G.M. and Columbia Pictures; her adoptive father, Armand Deutsch, produced movies at M.G.M. As a child, Susan appeared in movies with Abbott & Costello, Red Skelton, Lucille Ball, Margaret O'Brien and Lassie. She attended Mills College in California, studying journalism with Pierre Salinger, and graduated from the University of Pennsylvania with highest honors in journalism. During her adult life, Susan has been on radio and television as an anchorwoman and movie/drama critic. Her newspaper reviews have been syndicated around the world, and she has appeared on American Movie Classics cable television. In addition, her celebrity interviews and articles have been published in REDBOOK, PLAYBOY, FAMILY CIRCLE, COSMOPOLITAN, WORKING WOMAN and THE NEW YORK TIMES, as well as in PARIS MATCH, ELLE, HELLO, CARIBBEAN WORLD, ISLAND LIFE, MACO DESTINATIONS, NEWS LIMITED NEWSPAPERS (Australia), UK DAILY MAIL, UK SUNDAY MIRROR, DS (France), LA REPUBBLICA (Italy), BUNTE (Germany), VIP TRAVELLER (Krisworld) and many other international publications through SSG Syndicate. Susan also lectures on the "Magic and Mythology of Hollywood" and "Don't Take It Personally: Conquering Criticism and other Survival Skills," originally published on tape by Dove Audio.