H IS FOR HAWK – Review by Jennifer Merin
The exquisitey crafted H is for Hawk is British filmmaker Philippa Lowthorpe’s profoundly moving and utterly engaging cinematic metaphoric meditation on mourning and the transitory nature of life and nature, itself.
The film is powered by Claire Foy’s brilliant performance as Helen, a Dad-devoted Cambridge-based academic and research fellow who copes with the sudden death of her father by adopting and training a goshawk, a low flying feral bird of prey whom she names Mabel and who gradually is taught to become her ‘hunting partner.’
Helen’s father (Brendan Geeson) had been a well known and beloved photographer, an avid birdwatcher and chronicler of nature. Memory of their shared nature adventures — often presented in the film as flashbacks — fuels Helen’s obsessive passion about her relationship with Mabel. The bird is a beautiful, fierce and smart creature of nature. Foy’s fearless handling of the willful, potentialy dangerous goshawk is astonishing.
The script, cowritten by Lowthorpe with Emma Donahue and based on the autobiographical memoire by Helen Macdonald, is structured to keep you thoroughly emotionally captivated, while simultaneoulsy providing sufficient space for the story to seep into your psyche and generate contemplation of its meaning. Lowthorpe’s masterful storytelling is supported by Charlotte Bruus Christiansen’s stunning cinematography. The footage of Helen flying and catching her prey is absolutely awesome. Every element of the superb sound design and impecable set decor is perfectly fitting, too.
Some viewers may find the film’s authentic hunting sequences disturbing, but H is for Hawk is entirely authentic in its focus on nature and natural behaviour. Goshawks are hunters that kill and eat smaller animals, and that’s that. And, that said, despite the hunting scenes and its presentation of deep and profoundly challenging themes, the film’s overall gentle tone keeps it from being a tough watch. It is, instead, a must see!
