MOVIE OF THE WEEK January 23, 2026: H IS FOR HAWK

Based on the same-named 2014 memoir by British writer, naturalist, and academic Helen Macdonald — and boasting an affecting star performance from Claire Foy — director Philippa Lowthorpe’s pensive drama H Is for Hawk is a contemplative examination of a daughter’s grief in the wake of her beloved father’s unexpected death. It’s also a beautiful story about how Helen’s bond with a fierce goshawk named Mabel ultimately helps her find her way out of the darkness.

Read more

H IS FOR HAWK – Review by Jennifer Merin

The exquisitey crafted H is for Hawk is British filmmaker Philippa Lowthorpe’s profoundly moving and utterly engaging cinematic metaphoric meditation on mourning and the transitory nature of life and nature, itself. The script, cowritten by Lowthorpe with Emma Donahue and based on the autobiographical memoire by Helen Macdonald, is structured to keep you thoroughly emotionally captivated, while simultaneoulsy providing sufficient space for the story to seep into your psyche and generate contemplation of its meaning. Powered by Claire Foy’s brilliant performance, H is for Hawk is unforgettable. It is a must see!

Read more

H IS FOR HAWK – Review by Loren King

It’s a tall order to translate to the screen what’s delicately layered on the page. But what the film has is Claire Foy, as a version of memoir writer Helen Macdonald, a prickly nature-lover and academic who, in the wilds of grief over the sudden death of her beloved father, photojournalist Alisdair Macdonald (Brendan Gleeson), adopts and trains a goshawk she names Mabel. Mabel is a dangerous predator who must feed on birds and animals and whose icy stare is actually scary. An emotional support pet she is not.

Read more

H IS FOR HAWK – Review by Leslie Combemale

Early in the new narrative release H is for Hawk, an expert in the field of falconry calls goshawks the “perfectly evolved psychopath”. Why, then, does research Cambridge fellow and mourning daughter Helen Macdonald want to commit to training one? The answer is examined through a cinematic adaptation of Macdonald’s award-winning memoir of the same name, chronicling the sudden loss of her father and her subsequent connection with a goshawk. Audiences are witness to Macdonald’s (Claire Foy) highest and lowest points on her journey of loss, from shock to anger and depression to an inevitable point where she must move forward into acceptance. Though audiences are witness to some of grief’s lowest lows, this human and hawk and this chronicle of the way they move through nature, are a study in the transformational power of the human/animal connection.

Read more

H IS FOR HAWK – Review by T.J. Callahan

I am not sure co-starring in a feature film with a bird of prey was on celebrated actress Claire Foy’s bingo card, but she soars to the occasion in H is for Hawk. The very British biographical drama is written and directed by Philippa Lowthorpe and based on the New York Times bestselling memoir of the same name from Helen Macdonald. Foy is Helen, an academic and a daddy’s girl. When her father unexpectedly dies, Helen retreats into her home and into herself. Trying to keep her father alive by recreating their shared love of birds and nature, Helen buys a goshawk she names Mabel and spends her days training the bird to hunt. Mabel becomes Helen’s security blanket of sorts helping her to rediscover the beauty of life.

Read more

THE WONDER – Review by Diane Carson

The Wonder dramatizes a story set in an isolated community in famine-ravaged 1862 Ireland. British nurse Lib Wright arrives to investigate reports that eleven-year-old Anna has survived four months without eating. Pitting rationalism against unquestioned religious belief, the film illuminates the contrarian, resolute position of a patriarchal panel wielding power versus Wright’s unwavering, methodical analysis.

Read more

MOVIE OF THE WEEK November 18, 2022: THE WONDER

Based on the novel by Emma Donoghue — and supposedly inspired by a true story — Sebastián Lelio’s moody, atmospheric The Wonder features a powerful lead performance by Florence Pugh. She stars as Lib Wright, an English nurse brought to the remote Irish countryside in the early 1860s to help determine the truth behind a girl’s claim that manna from heaven — not food — is what has kept her alive for several months.

Read more

THE WONDER – Review by Loren King

Loren King Emma Donoghue’s best known novel “Room” centered on a mother-child bond against a perilous world. Donoghue’s “The Wonder,” set in the 19th century, is also rich with themes of maternal connections and the resiliency of children despite the misguided intentions and outright treacheries of adults.

Read more

THE WONDER – Review by Susan Wloszczyna

The first half of the movie is a slow-burn, but the plot catches fire in the second act when science is pitted against religious beliefs in a contest of grieving mothers. Pugh gives a sober, determined performance as a young widow whose loss of a child in infancy causes her to self-medicate with opium as she tries to save another from self-sacrifice.

Read more