Pam Grady

Pam Grady is a freelance journalist and film critic whose work has appeared in the San Francisco Chronicle, Box Office, FilmStew, SF State Magazine and other publications. Her career began at Reel.com where she was an editor and staff critic.

 

Articles by Pam Grady

 

DETROIT — Review by Pam Grady

detroit posterIn the summer of 1967, while the West Coast grooved to the Summer of Love, Detroit burned in five days of rioting that pitted the African American community against the arrayed forces of the Detroit police department, Michigan state police, and the National Guard. In her most potent film to date, Kathryn Bigelow reteams with screenwriter Mark Boal (The Hurt Locker, Zero Dark Thirty) to stunningly recreate that time. Continue reading…

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SPOTLIGHT, July 2016: Meera Menon, Director of EQUITY

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The all-female “Ghostbusters” remake has captured the mainstream media buzz this summer, but the true feminist statement of the season is to be found in another July release, Equity. It is the sophomore effort of director Meera Menon, and it presents a powerful and thrilling feminist drama about women working in the male-dominated environs of Wall Street. Read on…

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Athina Rachel Tsangari on CHEVALIER and Competition — Pam Grady interviews

athina rachel tsangariIt takes a woman — Greek writer-director Athina Rachel Tsangari (“Attenberg”) — to take the measure of men in Chevalier, her absurd comedy set on a luxurious yacht. Six men, apparently thrown together by a blend of business and familial obligations on a spearfishing vacation, drift off the coast of Greece and come up with a game to while away the time. They will determine who is “the best in general,” a competition that pits man against man as they take the measure of absolutely everything, from sporting prowess to sleeping posture, a rivalry that undermines the group’s bonhomie and comes to consume them. “It’s almost like a likability contest. It’s almost like a floating Facebook,” said Tsangari during a visit to the Bay Area, where Chevalier screened at the San Francisco International Film Festival. “Competition is just natural,” Tsangari said. “It’s what we do from kindergarten.” Read more…

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SPOTLIGHT June 2016: Susanna White, Director, OUR KIND OF TRAITOR

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Hot on the heels of Susanne Bier’s tense miniseries The Night Manager comes Our Kind of Traitor, a second suspenseful John le Carré adaptation to be directed by a woman, British filmmaker Susanna White. A couple on holiday—Ewan McGregor as poetry professor Perry and Naomie Harris as high-profile lawyer Gail—risk their own lives to help Russian money launderer Dima, played by a scene-stealing Stellan Skarsgård, defect to the UK. A lifelong fan of thrillers the opportunity to direct one herself as her sophomore feature—her first was Nanny McPhee Returns (2010)—was one White couldn’t resist. Read on…

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SPOTLIGHT May 2016: Rachel Rosen, Programmer, San Francisco International Film Festival

awfjspotlightsmallsmallrachel rosen 1The San Francisco International Film Festival, the oldest film festival in North America, is a whirl of activity in the midst of its 59th season. San Francisco Film Society Director of Programming Rachel Rosen is in her element. This has been her world for 25 years, ever since the seasonal festival work she took while getting her MA in documentary film at Stanford University led to a career as a film programmer. Her influence has been felt not just at the San Francisco Film Society and San Francisco International Film Festival, but also at New York’s Film Forum and at Film Independent and the Los Angeles Film Festival, where she was director of programming for eight years. As the 15-day SIFF heads into its second week, Rosen takes a break from festival routine to talk about women in the world of film festivals. Read on…

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SPOTLIGHT April 2016: Emayatzy Corinealdi, Actress, Rising Star of MILES AHEAD

awfjspotlightsmallsmallemayatzy1Miles Davis may be the main subject of Don Cheadle’s bravura writing/directing debut Miles Ahead, but he’s not the only one. While the largely fictional drama mostly takes place in the 1970s, it finds the jazz great at a point in his life where he is looking back and what he is looking back at is not a time in his life, but a person: Davis’s first wife, dancer Frances Taylor. Cheadle portrays her as the great love of the trumpeter’s life and inspiration for his music, but he also underlines that she was an accomplished individual with her own talents and her own life. Taylor danced on Broadway, including in the original production of West Side Story and she was a member of the Paris Opera Ballet. Read on…

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SPOTLIGHT March 2016: Margaret Sixel, Film Editor, MAD MAX: FURY ROAD

awfjspotlightsmallsmallsixel head 1It’s been a season of honors for Sixel. The Oscar is just the latest addition to the many she has already received—a list that includes a BAFTA, the Australian Film Institute’s AACTA, and AWFJ’s EDA Award, among others—for her work in giving shape, form, and nail-biting tension to Mad Max: Fury Road. After over 30 years in the business, it was Sixel’s first action movie. It will certainly not be her last. Read on…

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SPOTLIGHT February 2016: Agnieszka Smoczyńska, Filmmaker The Lure

awfjspotlightsmallsmallOne of the happy surprises of the 2016 Sundance Film Festival was a debut feature in the International Dramatic Competition, The Lure a musical-fantasy-horror-romance hybrid set largely in a shabby discotheque in 1980s Warsaw. Read on…

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SPOTLIGHT January 2016: Jennifer Phang, Filmmaker, Advantageous

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It has been a whirlwind year for filmmaker Jennifer Phang, since Advantageous made its world premiere at the 2015 Sundance Film Festival. where she and Jacqueline Kim, Phang’s co-screenwriter as well as star, were awarded a special jury prize for collaborative vision. The film has found a home with Netflix and has been nominated for the John Cassavetes Award, the Independent Spirit Award prize for the best film with a budget of under $500,000. Read on…

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Ten Noteworthy Female Performances at TIFF 2015 – Pam Grady Reports

tiff logoWith the Toronto International Film Festival, the Oscar season officially opens in North American. Oh, there are other fall festivals that provide a window into awards season, Telluride, New York Film Festival, and Mill Valley Film Festival among them, but Toronto with its hundreds of features is one of the true harbingers of nominations to come. And while there was much emphasis this year on women behind the camera—20% of features and 45% of shorts at TIFF were made by women, according to figures cited by Indiewire—the festival also provided a peek at performances that should warrant attention from Academy voters (or ought to!), if not this season, then next. Read more on THE FEMALE GAZE

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Top Ten 2012 – Pam Grady

Seven Psychopaths

Silver Linings Playbook

Holy Motors

Argo

Beasts of the Southern Wild

The Perks of Being a Wallflower

Safety Not Guaranteed

The Master

Paranorman

Django Unchained

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