THERE’S STILL TOMORROW – Review by Pam Grady
A huge hit in Italy where it ruled the box office and won eight David di Donatello Awards, Paola Cortelessi’s feature directing debut is a sharply observed slice of domestic life embroidered with flourishes, particularly on the soundtrack, that lift it out of the ordinary. As the film’s star, Cortelessi is stunning as woman whose apparent acquiescence to her situation hides her steely determination to better the situation, if not for herself, at least for her children. Shot in luminous black and white to mirror the Italian neorealism of the era, There’s Still Tomorrow speaks to the toxic misogyny and its attendant violence that is as prevalent now as it was then.
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