HOW TO BLOW UP A PIPELINE – Review by Alexandra Heller-Nicholas
There is a sense of urgency that permeates every frame of How to Blow Up a Pipeline, not just in terms to the necessary fast pacing that a film like this relies on as its generic backbone, but of course also in regards to its very subject matter. The feeling that we are running out of time is an explicit drumbeat throughout the film, a sense of desperation and speed driving the film’s cast of ensemble characters towards the act of domestic ‘terrorism’ from which the film takes its name. But even the label ‘terrorist’ is up for grabs here; in one of the film’s quieter moments before the crew get to work, a heated debate regarding what it means for their actions to be defined through the lens of domestic terrorism is one of the film’s many thoughtful moments where subtext and text collide.
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