THE DELIVERY LINE (Hot Docs 2026) – Review by Rachel West

Pregnancy and childbirth are often joyous, but they can also be marked by stress, health risks, and uncertainty— especially for those facing poverty, crime, climate change, war, and migration. For many, midwives are the ones guiding them through it. In The Delivery Line, director Nance Ackerman profiles five midwives working on the frontlines, from makeshift tents on the US-Mexico border to remote villages in Afghanistan. The film is an unflinching yet compassionate look at the realities of giving birth around the world. It follows five women who support and advocate for their communities. Blending traditional and modern practices, they bring care and dignity to some of the most challenging environments.

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CHRISTY – Review by Rachel West

Sydney Sweeney comes alive in the story of boxer Christy Martin. Directed by David Michôd, Christy tells the story of professional women’s boxer Christy Martin from her small town beginnings to her rise to boxing stardom, along with the battles she was fighting outside of the ring. Christy is a no-holds-barred tale, intertwining the elements of a sports biopic with a dark relationship drama to tell the story of Martin’s trailblazing career.

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SWIPED (TIFF 2025) – Review by Rachel West

Whitney Wolfe appeared to have it all. A smart, business-savvy young woman full of ideas who knew how to work a room full of tech bros to earn herself a place as Tinder’s lone female co-founder. It seems like a tech fairytale come true, full of female empowerment and triumph. But for Wolfe, it was more akin to a nightmare full of misogyny, toxic men, harassment, and sexism. Her story is the basis for the new film Swiped, directed by Rachel Lee Goldenberg and starring Lily James as the real-life Wolfe.

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HONEY BUNCH (TIFF 2025) – Review by Rachel West

Honey Bunch aims for a 1970s psychological comedic thriller, but its ambition far outweighs its execution. Writing and directing duo Madeleine Sims-Fewer and Dusty Mancinelli’s second feature is a muddled mess of style over substance. Though there’s ambition and style here, Honey Bunch never finds its footing. For all its visual flair, the film collapses under the weight of its own ideas.

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OUT STANDING (TIFF 2025) – Review by Rachel West

Director Mélanie Charbonneau’s Out Standing opens with a literal bang, a gunshot reverberating on screen and a close-up of the face of Captain Sandra Perron, Canada’s first female infantry officer. This shot sets the tone for an unfilching look at Perron’s resilience as an officer and a woman within the Canadian military. Nina Kiri is phenomenal as Perron. Embodying both the physical and emotional challenges, she paints a vivid portrait of a woman pushed to the brink.

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NIKA & MADISON (TIFF 2025) – Review by Rachel West

Two estranged friends are thrust back together following a violent incident in director Eva Thomas’ Nika & Madison. Here, women are at the centre of the film, each with agency and attitude, which propels the film into one to watch at this year’s Toronto International Film Festival. The story explores the bonds of female friendship and the sacrifices loved ones make for the sake of protection, regardless of the consequences.

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Eva Thomas talks NIKA & MADISON (TIFF 2025) – Rachel West interviews

Director Eva Thomas introduces audiences to a story that balances female friendship and agency. The drama centres on two young Indigenous women, estranged friends Nika and Madison, following a fateful encounter with police that leads them to reevaluate their friendship and direction in life. A captivating film filled with tension and a strong supporting cast, Thomas cements her place among a new wave of Canadian filmmakers.

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WHITETAIL (TIFF 2025) – Review by Rachel West

The forest is a source of comfort and torment in director and writer Nanouk Leopold’s latest feature, Whitetail.

A vividly verdant Irish forest opens Whitetail. It is the central setting of the film, a beautiful, raw, natural setting that beckons Jen (Natasha O’Keeffe) from her youth to her present-day job as a forest ranger. Here she protects and oversees this patch of mossy paradise, protecting the land and the creatures within from poachers.

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LITTLE LORRAINE (TIFF 2025) – Review by Rachel West

An unbelievable true slice of Canadian history serves as the basis for the crime drama Little Lorraine. Andy Hines’ film tells the story of how a remote Canadian fishing village with 60 residents became a major hub for cross-border cocaine smuggling in the 1980s. The film is both enthralling and haunting, delivering a story of deception, morality, and community. Hines debut transforms a forgotten chapter of Canadian history into a very human drama. Little Lorraine proves that reality can be stranger and more gripping than fiction.

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EVA THOMAS chats NIKA & MADISON (TIFF 2025) – Rachel West interviews

With Nika & Madison premiering at the Toronto International Film Festival, director Eva Thomas introduces audiences to a story that balances female friendship and agency. The drama centres on two young Indigenous women, estranged friends Nika (Ellyn Jade) and Madison (Star Slade), following a fateful encounter with police that leads them to reevaluate their friendship and direction in life. A captivating film filled with tension and a strong supporting cast, Thomas cements her place among a new wave of Canadian filmmakers to watch with her first solo feature film directing effort.

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