WOMAN WALKS AHEAD — Review by Susan Granger

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In the 1880s, a wealthy, widowed artist, Catherine Weldon (Jessica Chastain), traveled by train from New York City to the Lakota Pine Ridge Indian Reservation in the Dakota Territory to paint a portrait of iconic Chief Sitting Bull, the last surviving Sioux warrior to defeat Lt. Col. George Custer almost 15 years earlier. Continue reading…

Dubbed an “eastern agitator,” Weldon’s unwelcome arrival on the Western frontier is mocked by Col. Silas Grave (Sam Rockwell), and she’s ordered to board the next day’s train back East by Fort Yates’ dismissive Commanding Officer (Ciaran Hinds).

With the help of a sympathetic Lakota lawman (Chaske Spencer), defiant Weldon makes her way through the open prairie, finding depressed Chief Sitting Bull (Michael Greyeyes) digging potatoes in his garden.

Although he demands monetary compensation and they verbally spar for a while, proud Sitting Bull agrees to pose, while Weldon becomes embroiled in his struggle to retain rights to the Lakota land.

Surprisingly, they’re assisted by the arrival of the U.S. Cavalry’s Gen. Cook (Bill Camp), who has his own reasons to encourage the assembled tribes to oppose the proposed Allotment Act, a gesture of defiance which led to the 1890 Sioux massacre at Wounded Knee.

Inspired by Eileen Pollack’s 2002 “Woman Walking Ahead: In Search of Catherine Weldon and Sitting Bull,” it’s loosely adapted/fictionalized by Steven Knight and adroitly directed on a $5 million budget by Susanna White, aided immeasurably by cinematographer Mike Eley.

According to Jessica Chastain, “There were three reasons why I made this film: forgotten women in history, (director) Susanna White and (actor) Michael Greyeyes. His parents were taken away from their parents to be raised in Caucasian households to get the indigenous culture out of them – that was the goal. It’s devastating!”

In English and Sioux, on the Granger Movie Gauge of 1 to 10, “Woman Walks Ahead” is a perceptively plaintive 7, recalling our Native American ethnic tragedy, made timely by the current agitation at Standing Rock.

motw logo 1-35EDITOR’S NOTE: Woman Walks Ahead is AWFJ’s Movie of the Week.

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Susan Granger

Susan Granger is a product of Hollywood. Her natural father, S. Sylvan Simon, was a director and producer at R.K.O., M.G.M. and Columbia Pictures; her adoptive father, Armand Deutsch, produced movies at M.G.M. As a child, Susan appeared in movies with Abbott & Costello, Red Skelton, Lucille Ball, Margaret O'Brien and Lassie. She attended Mills College in California, studying journalism with Pierre Salinger, and graduated from the University of Pennsylvania, Phi Beta Kappa, with highest honors in journalism. During her adult life, Susan has been on radio and television as an anchorwoman and movie/drama critic. Her newspaper reviews have been syndicated around the world, and she has appeared on American Movie Classics cable television. In addition, her celebrity interviews and articles have been published in REDBOOK, PLAYBOY, FAMILY CIRCLE, COSMOPOLITAN, WORKING WOMAN and THE NEW YORK TIMES, as well as in PARIS MATCH, ELLE, HELLO, CARIBBEAN WORLD, ISLAND LIFE, MACO DESTINATIONS, NEWS LIMITED NEWSPAPERS (Australia), UK DAILY MAIL, UK SUNDAY MIRROR, DS (France), LA REPUBBLICA (Italy), BUNTE (Germany), VIP TRAVELLER (Krisworld) and many other international publications through SSG Syndicate. Susan also lectures on the "Magic and Mythology of Hollywood" and "Don't Take It Personally: Conquering Criticism and other Survival Skills," originally published on tape by Dove Audio.