ANORA – Review by Susan Granger

Winner at the Directors’ Guild, Producers’ Guild, Critics’ Choice, Cannes Film Festival and Best Picture Oscar nominee Anora may have a similar concept to Pretty Woman but with one helluva difference. Oscar nominee Sean Baker’s raucous, raunchy rom-com revolves around Anora – a.k.a. Ani (Oscar nominee Mikey Madison) – a tough-talking 23-year-old stripper from Brighton Beach in South Brooklyn, who hooks up with 21-year-old Ivan (Mark Eydelshteyn), the obscenely spoiled son of a Russian oligarch.

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New York Film Festival 62 (NYFF 2024) Wrap Up – Margaret Barton-Fumo Reports

This year’s New York Film Festival boasted an impressive roster of features, with an array of talented women both behind and in front of the camera. The coveted Main Slate was stacked, with eight films directed by women and nearly as many women-centric titles directed by men. Several women directors went out on a limb, performing bold experimentations in style and genre. It is difficult to establish a theme within such a varied international festival, but in general I was taken with several women’s performances in male-directed films and by the bold choices made by many of the women directors. In either case, women are occupying center stage in a still male-dominated festival, in which the majority of the films are directed by men. It’s a promising step forward, to see so many inspiring women both in front of and behind the scenes, and one can only hope that next year will bring even more to the forefront.

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ANORA (TIFF 2024) – Review by Liz Braun

Anora is a terrific movie, but no surprise there — it’s been winning over audiences since it took the Palme D’Or at Cannes last spring. Writer/director Sean Baker once again mines the world o’ sex work to find a great story populated by a rag-tag crowd of the dispossessed and disenfranchised. In Anora, a young sex worker marries the son of a Russian oligarch; she then has to deal with the fallout when his powerful parents show up, demanding an annulment. It’s a Damon Runyon tale for the 21st century, a subversive Cinderella story that’s hugely energetic and often very funny.

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