MOVIE OF THE WEEK August 21, 2026 – FREEFALL: A RECKONING FOR BOEING

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Watching Rory Kennedy’s pressing, powerful documentary Freefall: A Reckoning for Boeing — the follow-up to Kennedy’s equally compelling 2022 film Downfall: The Case Against Boeing — it’s impossible not to dwell on two thoughts: First, these days, the act of choosing to step foot on an American-built plane kind of feels like playing a game of Russian Roulette, and second, it’s appalling how blatantly this country continues to prioritize profits over people’s lives.

Both films dig deep into the circumstances behind Boeing crashes with heavy fatalities: Two involving the 737 Max (the first in Indonesia in October 2018 and the second just a few months later in March 2019 in Ethiopia) and one a 787 Dreamliner (in India in June 2025). While Downfall has a heavier focus on investigating and identifying the mechanical and decision-making failures that led to the 737 tragedies, Freefall adds information about the Dreamliner incident and takes a hard look at the fallout of the crashes, particularly what happened to those who chose to speak out against Boeing.

Several whistleblowers are interviewed in the film, but it’s the story of John Barnett — a three-decade Boeing veteran who worked in quality control and documented the company’s resistance to hearing his concerns about the culture and practices at the factory that produced the 787 — that hits the hardest. Listening to Barnett’s own words and those of his colleagues and family members, it feels very clear that the company punished him for his attempts to speak up, undermining his success as an employee and subjecting him to investigations and demotion. He left Boeing in 2017 out of concern for his health, given the ongoing stress, but (spoiler alert!) he ultimately took his own life in 2024, leaving a note that said he couldn’t take it anymore.

Listening to Kennedy’s interviews with other concerned whistleblowers, as well as with angry, grieving family members of crash victims, a simple, singular plea emerges: for someone to take accountability. The interviewees are begging Boeing to acknowledge that the corporate mandate to maximize shareholder profit is coming at a massive, untenable cost. As one interviewee says, “At most companies, the stakes aren’t people’s lives. But at Boeing, they are.” As long as that’s the case, there’s nothing the company’s leaders can say that will justify a single corner being cut. — Betsy Bozdech

Team #MOTW’s comments:

Nell Minow: One of the most chilling moments you will witness this year is this film’s footage of a Senate hearing with the CEO of Boeing admitting that he was paid over $100 million for presiding over a corporation that showed shocking failure in protecting the lives of airplane passengers. This follow-up to Rory Kennedy’s outstanding first documentary about Boeing focuses on the courageous whistleblowers who are distraught over the abandonment of the dedication to quality that was the company’s core commitment. Kennedy’s ability to gain the confidence of Boeing employees and clear-eyed depiction of the absence of consequences makes this a vital document of our times.

Loren King Another infuriating expose about corporate malfeasance and greed, Freefall: A Reckoning for Boeing is prolific investigative documentarian Rory Kennedy‘s must-see follow-up to her 2022 film, “Downfall: The Case Against Boeing.” While that film exposed Boeing’s complicity in the crashes of two Boeing 737 Max jets in 2018 and 2019 that killed 346 people, Kennedy’s latest examines the corporation’s systemic and obscene retaliation against whistleblowers who tried to warn about shoddy work and safety negligence. Read full review.

Leslie Combemale Whether or not you have a fear of flying, you should still see documentarian Rory Kennedy’s follow up to her 2022 film Downfall: A Case Against Boeing, Freefall: A Reckoning for Boeing. It really brings home how risky it is to be a whistleblower in a publicly traded corporate setting, but more importantly, it shows how little accountability there is for big corporations, even when lives are at stake. There’s also the planes themselves. When nearly all employees involved in their construction are unwilling to fly in them, what does that tell the rest of us? More than just amplifying the lack of corporate governance making our lives less safe, Kennedy reveals the impact of that lack of accountability for real people who lose loved ones as a result. The real question is, after seeing this doc, will any of us ever fly again?

Jennifer Merin It isn’t necessary to have seen Downfall: the Case Against Boeing in order to appreciate Kennedy’s comprehensive research and brilliant craftsmanship in Freefall: A Reckoning for Boeing. Again, she uses archival and contemprary footage, on camera interviews with experts and workers, and heartwrenching interviews with family members who suffered the loss of their loved ones to tell harrowing truths about profit-motivated corporate behaviour. Always concerned with the pursuit of justice, Kennedy gives us a fascinating primer about the aviation industry and its technology as well as a compelling and alarming reveal of corporate greed that prioritizes profits over people’s safety. Read full review.

Liz Whittemore In an era of relentless corruption, Rory Kennedy’s follow-up documentary Freefall: A Reckoning for Boeing feels equally devastating, infuriating, and essential. The bravery of each whistleblower featured in the film should be revered. At the same time, we also acknowledge that, yet again, Boeing feels shielded by an administration that exists entirely in the depths of corporate greed and a total lack of accountability as long as you pay to play. Bravo to Rory Kennedy for keeping the public’s eye on the prize in speaking truth to power.

Sandie Angulo Chen: Freefall: A Reckoning for Boeing is another searing, infuriating, and fascinating documentary from filmmaker Rory Kennedy, who once again exposes how the legendary aeronautical engineering company sacrificed safety and quality control in favor of profits at all costs. A sequel to her 2022 documentary Downfall: The Case Against Boeing, the film explores what happens when the drive by CEOs and upper management to produce new airplanes faster and at lower cost—without a sufficiently trained (or unionized) workforce—can directly cause catastrophic failures in brand-new planes. The documentary also leans heavily on audio recordings left by federal whistleblower and former quality-control manager John Barnett, who died by suicide in 2024. Kennedy interviews other whistleblowers who reported manufacturing and ethical violations and were subsequently retaliated against. She also chronicles family members of crash victims who banded together to demand answers and accountability from both Boeing and the FAA. It’s an unforgettable documentary that should scare every air traveler.

Monique Jones If you’re already afraid of plane travel, Freefall: A Reckoning for Boeing will make you ready to book your travel on trains and ships for the rest of your life. I’m half-joking, but I’m also half-serious; the film doesn’t give you a good sense that everything has changed for the better at Boeing, which has been at the center of recent deadly crashes. Indeed, following the case of whistlebower John Barnett, his death and the congressional response Boeing had to accusations of profits over people reduces any possible goodwill anyone might have had towards the company. Read full review.

Cate Marquis Following up on her 2022 documentary Downfall: The Case Against Boeing, in this documentary, director Rory Kennedy focuses on lawsuits related to those deadly crashes and another lawsuit brought by a whistleblower within the company, as it takes a deep, evidence-based look at what has gone wrong at this once-admired American company, after it shifted, under a series of CEOs with no experience in the aviation industry, away from a quality focus to a “profits above all else” business approach. Read full review.

FILM DETAILS:

Title: Freefall: A Reckoning for Boeing

Director: Rory Kennedy

Release Date: August 19, 2026

Running Time: 93 minutes

Language: English

Screenwriter: Mark Bailey

Lead Characters: John Barnett and other whistlebowers, factory workers, family members

Distribution Company: Netflix

AWFJ Movie of the Week Panel Members: Sandie Angulo Chen, Betsy Bozdech, Leslie Combemale, Monique Jones, Loren King, Cate Marquis, Jennifer Merin, Nell Minow, Liz Whittemore

Previous #MOTW Selections

Other Movies Opening This Week

Edited by Jennifer Merin

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Jennifer Merin

Jennifer Merin is the Film Critic for Womens eNews and contributes the CINEMA CITIZEN blog for and is managing editor for AWFJ.org, the online magazine of the Alliance of Women Film Journalists, of which she is President. She has served as a regular critic and film-related interviewer for The New York Press and About.com. She has written about entertainment for USA Today, The L.A. Times, US Magazine, Ms. Magazine, Endless Vacation Magazine, NY Daily News, New York Post, SoHo News and other publications. After receiving her MFA from Tisch School of the Arts (Grad Acting), Jennifer performed at the O'Neill Theater Center's Playwrights Conference, Long Wharf Theater, American Place Theatre and LaMamma, where she worked with renown Japanese director, Shuji Terayama. She subsequently joined Terayama's theater company in Tokyo, where she also acted in films. Her journalism career began when she was asked to write about Terayama for The Drama Review. She became a regular contributor to the Christian Science Monitor after writing an article about Marketta Kimbrell's Theater For The Forgotten, with which she was performing at the time. She was an O'Neill Theater Center National Critics' Institute Fellow, and then became the institute's Coordinator. While teaching at the Universities of Wisconsin and Rhode Island, she wrote "A Directory of Festivals of Theater, Dance and Folklore Around the World," published by the International Theater Institute. Denmark's Odin Teatret's director, Eugenio Barba, wrote his manifesto in the form of a letter to "Dear Jennifer Merin," which has been published around the world, in languages as diverse as Farsi and Romanian. Jennifer's culturally-oriented travel column began in the LA Times in 1984, then moved to The Associated Press, LA Times Syndicate, Tribune Media, Creators Syndicate and Arcamax Publishing. She's been news writer/editor for ABC Radio Networks, on-air reporter for NBC, CBS Radio and for Westwood One's America In the Morning. She is a member of the Critics Choice Association in the Film, Documentary and TV branches and a voting member of the Black Reel Awards. For her AWFJ archive, type "Jennifer Merin" in the Search Box (upper right corner of screen).