MOVIE OF THE WEEK August 23, 2019: AFTER THE WEDDING

Boasting powerful star performances by Michelle Williams and Julianne Moore and a story with big, emotional twists, Bart Freundlich’s “After the Wedding” is a gender-swapped remake of Susanne Bier’s same-named 2006 Danish drama. It’s a thought-provoking look at life choices, legacy, and motherhood that will stick with you after the credits roll.

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MOVIE OF THE WEEK August 9, 2019: Jennifer Kent’s THE NIGHTINGALE

Beautifully filmed yet brutal to watch, Jennifer Kent’s The Nightingale is a revenge drama that will resonate with any woman who’s been assaulted — or, for that matter, dismissed by society. Set in 1825 Tasmania, it follows the plight of Clare, an Irish convict who’s suffered years of abuse at the hands of a British officer and is driven by his brutality to seek brutal revenge. The Nightingale is difficult to watch, but it is most certainly a must see.

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MOVIE OF THE WEEK August 2, 2019: HONEYLAND

Tamara Kotevska and Ljubomir Stefanov’s documentary “Honeyland” tells the compelling story of Hatidze Muratova, a Macedonian beekeeper whose quiet rural life with her ailing mother is upended upended by the arrival of an itinerant family, complete with seven children and a herd of cattle. Intimate and immersive, the film captures a place so removed from Western hustle and bustle that it almost feels like another century.

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MOVIE OF THE WEEK June 28, 2019: Claire McCarthy’s OPHELIA

Much analyzed and, according to many, much misunderstood, Ophelia has always been one of Shakespeare’s most enigmatic characters. With Ophelia, director Claire McCarthy and screenwriter Semi Chellas aim to demystify Hamlet’s lady love, turning her into a smart, fully fleshed-out woman with spirit and agency.

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MOVIE OF THE WEEK June 28, 2019: MAIDEN

As tense and exciting as anything scripted in Hollywood, Alex Holmes’ documentary Maiden is all the more remarkable for being a true story. It takes viewers back to 1989, when Tracy Edwards, then 24, became the first skipper of an all-female sailing crew to enter the Whitbread Round the World Race. Facing both the elements and skepticism from the establishment, Edwards and her team defied expectations — and scored a victory for feminism in the process.

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MOVIE OF THE WEEK June 21, 2019: LATE NIGHT

Cross The Devil Wears Prada with 30 Rock, and you might get something like Late Night, director Nisha Ganatra’s timely comedy about a starry-eyed young comedy writer named Molly (Mindy Kaling) who gets the chance of a lifetime when she’s hired to work for iconic late-night talk show host Katherine Newbury (Emma Thompson). Written by Kaling, the movie mixes behind-the-scenes showbiz humor with smart observations about what it’s really like for women to break down barriers.

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MOVIE OF THE WEEK June 7, 2019: ALWAYS BE MY MAYBE

Even when you have a pretty strong sense of how it’s going to end, there’s something immensely appealing about a good, old-fashioned romantic comedy; they’re the comfort food of movies. And while Nahnatchka Khan’s “Always Be My Maybe” is, thankfully, refreshingly NEW-fashioned in terms of representation — and has some genuinely surprising comic elements — it’s exactly the kind of romcom that’s perfect to curl up in front of on a Saturday night. (Plus, it has a subplot all about actual comfort food, so there’s that.)

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MOVIE OF THE WEEK May 24, 2019: ASK DR. RUTH

With her twinkling eyes, mischievous grin, and clear zest for talking about all things intimate, Dr. Ruth Westheimer — the public version of her, anyway — has always been an easy woman to like. Happily, Ryan White’s engaging documentary about America’s pre-eminent sex therapist, Ask Dr. Ruth, provides ample evidence that she’s just as appealing once you get to know her better.

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MOVIE OF THE WEEK May 17, 2019: Amy Poehler’s WINE COUNTRY

If you can’t get to wine country with your own girlfriends anytime soon, you could do far worse than tagging along with Amy Poehler, Maya Rudolph, Rachel Dratch, and their crew as they celebrate female friendship in all its messy glory. Blending crisp whites and robust reds with both humor and introspection, Wine Country is like a cross between a buddy comedy and a midlife-crisis therapy session.

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MOVIE OF THE WEEK May 10, 2019: Mary Harron’s CHARLIE SAYS

motw logo 1-35Bringing a female gaze to one of the 20th century’s most notorious criminals and the influence he exerted over his zealous followers Mary Harron’s Charlie Says is a compelling look at the power of community and the need to belong. By focusing her film on the women around Charles Manson, rather than directly on Manson himself, Harron shows us how that need can lead to delusion, denial, and destruction.

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