HUNGER GAMES: THE BALLAD OF SONGBIRDS AND SNAKES – Review by Susan Granger

When the original Hunger Games devoured the silver screen in 2012, I vividly remember the savage power of its pop culture message about formidable female empowerment, particularly in contrast with its banal, dull, boring prequel Hunger Games: The Ballad of Songbirds and Snakes. Directed by Francis Lawrence, this epic, tri-part dystopian dirge is set 64 years before the original trilogy. The essence of what’s lacking in this franchise film: Katniss Everdeen, the resourceful, heroic character embodied by charismatic Jennifer Lawrence.

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MOVIE OF THE WEEK October 6, 2023: MIRANDA’S VICTIM

We’ve all heard the opening of the Miranda warning a million times in movies and on TV cop dramas: “You have the right to remain silent. Anything you say can and will be used against you in a court of law,” etc. And those rights are an essential part of the American criminal justice system. But the story behind them is a fraught one, as director Michelle Danner makes very clear in the earnest drama Miranda’s Victim.

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THE BURNT ORANGE HERESY – Review by Leslie Combemale

There’s something perverse in seeing great actors doing great work in a film that has an extremely problematic script and plot. In the new release The Burnt Orange Heresy, directed by Giuseppe Capotondi and written by Scott B. Smith from the Charles Willeford novel, a collection of endlessly enigmatic actors that includes Claes Bang, Elizabeth Debicki, Donald Sutherland, and Mick Jagger breathe temporary life into, but can’t resuscitate this pretentious neo-noir script.

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