THE ODYSSEY – Review by Susan Granger
Characterized by mythic storytelling, extravagant production values and brawny heroes, sword-and-sandals movies (“Ben-Hur,” “Spartacus,” “Gladiator”) have enjoyed tremendous popularity. Add The Odyssey to that list. British filmmaker Christopher Nolan, collaborating with Dutch cinematographer Hoyte van Hoytema and production designer Ruth De Jong, envisions Homer’s nearly 3,000-year-old, nonlinear epic poem as a weary Greek warrior’s tortuous journey home. Filled with challenges and conflict, it can be viewed as an exciting, episodic adventure saga or, delving deeper, as an allegory about the consequences of temptation in a man’s spiritual quest for identity and enlightenment.
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