INDIANA JONES AND THE DIAL OF DESTINY – Review by Susan Granger

For great family fun, you can’t beat Indiana Jones and the Dial of Destiny, concluding the globe-trotting adventures of the iconic archeologist, a fantastical franchise that began in 1981 with Steven Spielberg’s Raiders of the Lost Ark. This final saga begins in 1944 Germany near the near of W.W. II, as intrepid Dr. Henry ‘Indiana’ Jones Jr. (Harrison Ford) tries to help his close friend/colleague Basil ‘Baz’ Shaw (Toby Jones) save Greek mathematician/inventor Archimedes’ fabled ‘Antikythera’ – a.k.a. Dial of Destiny – a clock-like devise enabling time travel – from a nasty Nazi (Mads Mikkelson).

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INDIANA JONES AND THE DIAL OF DESTINY – Review by Susan Kamyab

What’s best about this sequel is the nostalgia. They go back to the basics, filling in holes fans might wonder about and including plenty of throwbacks from the original movies, like Dr. Jones’ past relationships, his fear of snakes, and the iconic John Williams score. But what’s most impressive about the film, is how effortlessly Ford fits right back into his historic character. You can tell he’s having fun again and proves that he is still just as talented as ever.

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INDIANA JONES AND THE DIAL OF DESTINY – Review by T. J. Callahan

The Dial of Destiny succeeds on nostalgia. Otherwise it’s a crazy chase after a crazy chase. On a train, in a plane, driving tuk tuks and diving off boats. On camelback and horseback…in the subway? Underwater and in the sky. This is no lie. The writers must have been high. Spoiler alert, Ford didn’t die, despite no longer being spry. Although the bad guys gave it the good ol Nazi try.

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INDIANA JONES AND THE DIAL OF DESTINY – Review by Valerie Kalfrin

The years, the mileage, the memories, and the regrets swirl into a satisfying mix in Indiana Jones and the Dial of Destiny, a warmhearted sendoff for the globe-trotting archaeologist that puts star Harrison Ford—at eighty—back in the saddle for one more adventure. A fun treasure hunt with a few surprises, Indiana Jones and the Dial of Destiny is an affectionate snapshot of an adventurer who now feels like an artifact himself. For anyone who’s been along for the whole ride, it’s gratifying to watch him discover where he belongs.

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NO TIME TO DIE – Review by Liz Braun

No Time To Die is more of an event than a movie, but that’s the territory with James Bond. Fans waited 18 months to see the film and everyone knows it’s Daniel Craig’s last time at bat as the famed British spy, so the film came freighted with massive expectations. Luckily, it’s hugely entertaining — with explosive action, wild car chases, fascinating spy gadgets, beautiful women, evil villains, somewhat incomprehensible plotting and many narrow escapes — but this time out with a whole new level of emotional engagement. Writing about women and film is what we do around here, so it’s important to note that Phoebe Waller-Bridge (Fleabag) reshaped the story with the blessing of all concerned, including Daniel Craig, who described her as a “fucking great writer” to the Financial Times.

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NO TIME TO DIE – Review by Pam Grady

Daniel Craig’s tenure as James Bond that began 15 years ago with the elegant Casino Royale, ushering in a tough, charismatic 007 ends five films later on more of a whimper than a bang. Entertaining, if overlong, a weak villain and a third act that could have used a rewrite that put some thought into where you might go when you’ve written yourself into a corner betrays Craig’s swan song. He deserves better than this; so, does Bond.

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NO TIME TO DIE – Review by Susan Granger

For Daniel Craig’s final performance as James Bond, he still has his license to kill, Aston Martin DB5 and enough weaponry to subdue countless henchmen. This 25th installment begins with a Norwegian backwoods flashback as a helpless, young girl witnesses a mysterious, masked killer stalking her and her mother, determined to wreak revenge for what her father did to his family.

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NATIONAL THEATER LIVE: FLEABAG – Review by Sarah Knight Adamson

Now, film enthusiasts will be able to see Phoebe Waller-Bridge’ work first-hand in her one-woman monologue through the sixty-five-minute event titled, National Theater Live: Fleabag, playing in theaters in London, and beginning this Saturday in Chicago at the Gene Siskel Film Center, with more theaters to be announced.

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WEEK IN WOMEN: Phoebe Waller-Bridge Talks Women in BOND 25 – Brandy McDonnell reports

Phoebe Waller-Bridge recently spoke about her contribution to the upcoming 25th James Bond film, polishing the script to make it “absolutely relevant now.” The writer and performer said the long-running film franchise has to “grow” and “evolve” and “Bond 25” has to “treat women properly,” even if the womanizing English spy himself doesn’t.

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