ATROPIA – Review by Nadine Whitney

Actor and journalist Hailey Gates initially set out to make a documentary about Californian desert military bases that were set up as enemy towns so soldiers could train with role-players acting as potential insurgents. The towns are real fakes, they exist, but the U.S. Military weren’t keen on Gates potentially revealing sensitive information. Thus, the scattershot fictional satire Atropia came into being. In her debut feature Gates manages to hit some targets with comedic, and at times, sincere barbs. However, when it comes to the film as a whole the comedy and satire goes through the attrition of repetitiveness and the sincere concerns about the ludicrous nature of putting army cadets through such a misguided and useless exercise gets lost in the mix.

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ATROPIA (Sundance FF 2025) – Review by Leslie Combemale

Atropia is not without its positive aspects. It starts with a bang, showing a strong point of view with its satirical take of both the military and actors trying to make it in Hollywood. Borrowing elements from M*A*S*H, Stripes, and a few more obscure indie war films, the story is of a fictional military training facility in the deserts of California nicknamed “The Box”. Soldiers sent there spend an immersive 24/7 in a created Iraqi village trying to ferret out dangerous bad actors, before they’re killed by various bombs, insurgents with machine guns, or other potential war drama. Local actors live there, with limited water and other essentials, rotating roles as hostiles and friendlies, depending on the day. Wanna-be “real” actor Fayuz (Alia Shawkat) goes back and forth between helping other townspeople method acting, and things like vying for attention from imbedded Hollywood A-listers who might take her out of this dead-end job.

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DRIFT (Melbourne IFF 2023) – Review by Nadine Whitney

Director Anthony Chen adapts Alexander Maksik’s novel A Marker to Measure Drift in Drift, a film about a young woman drifting on the edge of starvation a self-destruction on an unnamed Greek island after a profound tragedy. Cynthia Erivo plays Jacqueline, a London educated Liberian who has lost everything in her life and is living hand to mouth sleeping rough by the sea. She wanders the summer tourist populated streets and beaches during the day hoping to find food and possibly small amounts of money from the garish holiday makers. At nights as she makes a bed of sand filled plastic bags, she drifts into her memories both good and increasingly distressing.

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DRIFT (Melbourne IFF 2023) – Review by Alexandra Heller-Nicholas

Drift is an astonishingly confident and deeply moving film, an unarguable career highlight for both Cynthia Erivo and Alia Shawkat and further evidence that Anthony Chen is one of the most important filmmakers working today. The way that Chen reveals horrors is a virtual masterclass in how to sensitively depict certain acts of violence on screen. This is, in fact, one of the film’s strongest elements: to demand “more” reveals perhaps just how depressingly used to trauma porn we have become, expecting to be spoon fed real-world horrors rather than using basic screen literacy skills to apply our broader general knowledge to poetic allusion.

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THE OLD MAN – Review by Diane Carson

The Old Man reinterprets and reinvigorates spy drama. A great mix of distinctive characters pays dividends episode after episode, humor and great repartee alternating with terrifying suspense. Increasingly important as the plot disentangles, the women prompt some disconcerting developments with multiple levels of meaning.

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THE OLD MAN – Review by Susan Granger

Jeff Bridges delivers one of his most compelling performances in The Old Man, playing Dan Chase, a weary, disillusioned CIA agent who’s been living incognito in Vermont since he went rogue decades ago. He’s a gruff widower, guarded by two ferociously loyal dogs; ever cautious, he communicates with his beloved daughter Emily only by burner phones. When he’s ‘discovered’ and assassins invade his home, Dan goes on the run, picking up a lonely, troubled divorcee, Zoe McDonald (Amy Brenneman), along the way.

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SYDNEY FF 2019: ANIMALS – Review by Alexandra Heller-Nicholas

Bursting into the national consciousness with her smash 2013 debut feature 52 Tuesdays, Australian filmmaker Sophie Hyde has gone decidedly international in her vision with her much-anticipated sophomore effort, the international co-production Animals. Starring Holliday Grainger and Alia Shawkat, the two women play best friends and flatmates Laura and Tyler whose down-and-dirty carefree bacchanalia of their twenties suddenly begins to fade when faced with expectations of transitioning to the world of so-called ‘adult’ responsibility.

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SPOTLIGHT June 2017: Amber Tamblyn, Actress, Poet, Director of PAINT IT BLACK

amber tamblyn 1Amber Tamblyn has been in the spotlight since childhood, but has reached beyond her privileged circumstances to explore humanity and offer work that makes our journey through life richer, more authentic and serves as a primer for women to expand their own potential.

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