A LIFE ILLUMINATED – Review by Leslie Combemale

The life and career of Dr Edith Widder is a perfect representation of what a trailblazing female encounters as part of her work and personal life. Tasha Van Zandt’s documentary A Life Illuminated examines Widder’s life as a marine biologist and ocean explorer, and the film is, indeed, illuminating. Ninety nine percent of the living space on earth is in the oceans, and yet we know so little about it. Widder’s explorations and discoveries are helping to change that, as shown in this new movie.

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A LIFE ILLUMINATED – Review by Loren King

To sink into the dark depths of the ocean with pioneering marine biologist Dr. Edie Widder is nothing less than a transformative experience. Watching the documentary A Life Illuminated, we witness Widder’s decades-long research into bioluminescence — the dazzling phenomenon of ocean creatures, far from sunlight, that produce illumination and turn the pitch-black undersea into a galaxy that rivals the cosmos. Widder and her crew capture this breathtaking footage that is itself illuminating: it opens the eyes and the mind to life in a place we would never see were it not for the tenacious work of scientists like Widder.

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A LIFE ILLUMINATED – Review by Jennifer Merin

Filmmaker Tasha Van Zandt’s documentary, A Life Illuminated, takes a deep dive into the brilliant career of oceanographer and marine biologist Dr. Edith Widder. a deep seas pioneer whose work in bioluminescence has shed light on the way in which we humans see the seas’ depths and the extraordinary, other worldly creatures who inhabit our planet’s last Earth bound frontier. Filmmaker Van Zant relies on Dr. Widder to narrate her own story, recounting her feminist struggle to be accepted into the male-dominated deep sea scientists profession and sharing her joy at discovering deep sea life.

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IN THE COMPANY OF WOVES – Review by Valerie Kalfrin

The documentary In the Company of Wolves: An American Journey is an ambitious one, hopscotching around history while noting some threats to wolves, now returning to places they haven’t been seen in decades.
Director Susan Kucera (Wild Genius) assembles some impressive footage of these animals and other storied beasts the American West such as bison and horses. Yet while some interviews prove as thought-provoking as the stunning imagery of canyons and prairies, the film ultimately is as wild as the wolves in its title, needing more focus to bring its points home.

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BABY DOE – Review by Valerie Kalfrin

Ohio grandma Gail Eastwood-Ritchey knew why the deputy wanted to talk to her. On body cam footage early in Baby Doe, she nods matter-of-factly in her garage doorway as he approaches to speak with her. “It’s about a baby,” she says. “A baby that was left.” What happens from there is both a fascinating and compassionate look at one woman’s choice made decades earlier that she still struggles to reconcile. Directed by Jessica Earnshaw, Baby Doe examines the unsolved case of a newborn baby boy left in the woods in Geauga County, Ohio, in 1993. In archive news footage, the community is so heartbroken that it holds a funeral, burying the baby with a headstone for “Geauga’s Child.”

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CHRIS & MARTINA: THE FINAL SET – Review by Lois Alter Mark

I can sum up my reaction to Chris & Martina: The Final Set, Netflix’s new documentary about two of the greatest tennis players of all time, in two words: Love, love. Over the course of 15 years, Chris Evert and Martina Navratilova played a record-setting 80 matches against each other, living out one of the greatest rivalries in sports history. But what makes their competition so inspiring and documentary-worthy is not just the pinnacle of excellence these athletes reached but the deep friendship that resulted from it and the way the two women are still there for each other all these years later as they fight a common enemy: cancer. Even if you’ve never watched a tennis match, it’s impossible not to be deeply moved by these two women. Gitlitz aces the film’s most important contribution, which, according to 22-time Grand Slam champion, Pam Shriver, is that it proves that true sportsmanship really exists. And that’s a lesson we all need to learn now more than ever.

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CHRIS & MARTINA: THE FINAL SET – Review by April Neale

Netflix’s Chris & Martina: The Final Set is ostensibly about tennis legends Chris Evert and Martina Navratilova, but by the time the credits roll, it becomes something far more profound: a meditation on time, mortality, friendship, and the realization that the people who challenge us most may understand us better than anyone else. At its heart, the documentary celebrates the essence of true sportsmanship. For decades, Evert and Navratilova battled fiercely for supremacy on the court, pushing each other to extraordinary heights and forever changing women’s tennis. Yet the film reveals that their greatest journey was not toward championships, rankings, or records, but toward understanding one another. These two lionesses fought not only for titles but for their lives, their identities, their loves, and their place in history. As the years pass and both women confront cancer, loss, and the realities of aging, they come full circle, evolving from rivals into each other’s fiercest advocates and most trusted confidantes.

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MINESHAFT: THE CRUISING MURDERS (Tribeca 2026) – Review by Leslie Combemale

No matter what you think you know about director William Friedkin’s movie Cruising, or, for that matter, about New York City in the late 1970s, you’ll learn more by watching Mineshaft: The Cruising Murders. Acting as director, producer, and editor, Jeffrey Schwartz offers up a fascinating, (albiet “kitchen sink”) documentary that explores the 1979 thriller starring Al Pacino, the gay history happening around the making of the film, and the real-life murder that “inspired” his film.

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HOLLYWOOD DOES ABORTION (Tribeca 2026) – Review by Valerie Kalfrin

The thought-provoking documentary Hollywood Does Abortion is more like “how Hollywood portrays abortion,” which is to say, skewed toward white teenagers in trouble, if at all. Directed by Emmy nominees Barbara Attie and Janet Goldwater, along with Mike Attie, the documentary argues that political pressures have shaped depictions of abortion onscreen for decades, creating a cycle of stigma and misinformation. It’s not as if a particular show or film led to certain legislation, the film argues, but that the potency of abortion as a political issue has influenced storylines time and again. It’s a strong and sobering take.

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MOVIE OF THE WEEK June 5, 2026: GEORGIA O’KEEFFE: THE BRIGHTNESS OF LIGHT

American visual artists don’t get much more iconic than Georgia O’Keeffe, the pioneering modern abstract painter whose iconic images have adorned walls everywhere from prestigious museums to college dorm rooms. In his thorough documentary Georgia O’Keeffe: The Brightness of Light, director Paul Wagner tells her fascinating, nearly century-long life story, following her and her evolving art from the plains of the Midwest to the New Mexico high desert and everywhere in between.

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