3 FACES – Review by Roxana Hadadi

3 Faces is another example of deeply empathetic cinema from the filmmaker, an exploration of the frictions between generations inside Iran while offering sympathy to all parties: the young and the old, the traditional and the cosmopolitan, and in particular the women caught in a transitioning society that too often refuses to grant them the respect they deserve.

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3 FACES – Review by Marilyn Ferdinand

Since the Iranian government imposed a 20-year filmmaking ban on Jafar Panahi in 2010, the scrappy director has made and smuggled out four films, including his latest, 3 Faces. The irrepressible Panahi is critical of Iran’s repressions against women and continues to plead for their freedom in this farcical, subversive film.

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3 FACES – Review by Jennifer Merin

Iranian filmmaker Jafar Panahi has been banned by the Iranian government from making movies for 20 years, yet he always invents creative ways to practice his craft by documenting his own interactions with actors and ‘civilians.’ In 3 Faces Panahi and actress Behnaz Jafari take to the road to try too solve a mystery about what happened to a young woman who wanted to escape her traditional family to become an actress. The plot twists itself into an intriguing mystery about weather the girl is alive or dead.

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