WILD INSIDE – Review by Jennifer Merin

Wild Inside is filmmaker Penny Lane’s captivating documentry about Flaco, a singularly determined Eurasian eagle-owl who (woot woot) escaped his captivity at the New York’s Central Park Zoo in February 2023 and, soaring free over Manhattan, became an icon of inspiration for New Yorkers and millions of fans world wide. Lane uses archival footage of Flaco in flight and perched on favorite tree limbs or highrise window sills, mixed with on camera interviews with Flaco fans, followers and conservationists who teamed up to track his whereabouts and welfare.

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WILD INSIDE – Review by Loren King

One of the best documentaries so far this year, Wild Inside is as layered and textured as the thick wrap of feathers enveloping Flaco, the Eurasian eagle-owl whose year of living free albiet dangerously in New York City earned him a rightful place in urban lore. Director Penny Lane charts how Falco seduced the city after he escaped from captivity in the Central Park Zoo in 2023. As is true of most stellar documentaries about animals and birds, Wild Inside is ultimately about human beings. Besides Falco, the stars of this film are a small band of avid birders and photographers who followed Falco’s journey from the first day he appeared free — standing on the sidewalk of Fifth Avenue, just outside of Central Park — to when he spread his wings and set out to explore the rest of Manhattan.

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WILD INSIDE – Review by Valerie Kalfrin

New Yorkers are a famously jaded bunch, to the point that when an owl with a six-foot wingspan wound up on the Fifth Avenue sidewalk one night, few seemed to give a hoot. That all soon changed, as the owl—a zoo escapee named Flaco—soon captured the hearts of people around the city and the world. Director Penny Lane’s enchanting documentary Wild Inside follows Flaco through a fateful year of freedom after someone cut through his enclosure at the Central Park Zoo in February 2023. The male Eurasian eagle-owl—one of the largest types of owls in the world—had hatched in captivity and lived at the zoo for about thirteen years before he ventured through the cut mesh and into the spotlight.

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MOVIE OF THE WEEK July 24, 2026: A LIFE ILLUMINATED

If most people spent as much time thinking about what’s below the waves as they do what’s beyond the stars, chances are that more of them would know who Dr. Edith Widder is. But since that’s not the case, we can all be grateful to filmmaker Tasha Van Zandt for the excellent job she does presenting the pioneering oceanographer/marine biologist and her fascinating life’s work in the documentary A Life Illuminated.

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MOVIE OF THE WEEK July 17, 2026: THE KIDNAPPING OF ARABELLA

Quirky and poignant, Italian writer/director Carolina Cavalli’s The Kidnapping of Arabella tells the story of a young woman named Holly, whose grief and childhood pain conspire to leave her believing that the space-time continuum has somehow brought her face to face with a younger version of herself. As she figures out what to do with that unlikely opportunity, she must ultimately face the reality she’d rather ignore. As the movie begins, Holly, who studies physics and is mourning the loss of her mother, is begrudgingly working at an ice rink, where she opts to blame small holes in the fabric of the universe for unusual moments like randomly finding a tooth on the ice. When, after scamming/bullying a fast-food worker into giving her a free order of fries, Holly encounters a feisty 8-year-old girl in the parking lot, she becomes convinced that the child is, in fact, her younger self, brought to her to give her a second chance at making better life choices. So when the girl offers to pay Holly for a ride to “anywhere but here,” they drive off together.

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MOVIE OF THE WEEK Archive: PETITE MAMAN (April 22, 2022)

Quietly emotional and tenderly sincere, Petite Maman is a poignant tale about loss, connection, and growing up. Blending gentle fantasy elements with grounded, naturalistic performances, writer-director Céline Sciamma tells the story of 8-year-old Nelly, whose parents take her with them to clear out her mother’s childhood home after the death of her beloved grandmother. To her surprise, she finds much more waiting for her there than her mother’s old books and playthings.

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MOVIE OF THE WEEK June 19, 2026: GOAT GIRL (LA NINA DE LA CABRA)

A young girl living in Madrid in the late 1980s learns a lot about life in writer/director Ana Asensio’s charmingly poignant Spanish drama Goat Girl (aka La Niña de la Cabra). Maintaining a child’s-eye view throughout, Asensio captures how challenging it can be to make sense of the world around you when you’re just 8 years old and beginning to understand that grownups don’t have all the right answers.

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MOVIE OF THE WEEK June 12, 2026: HONEYJOON

Part mother-daughter comedy, part grief drama, part generational clash, and part travelogue, writer/director Lilian T. Mehrel’s charming, poignant Honeyjoon tells the story of two women in mourning whose complicated feelings — for themselves, for each other, and for the loved one they’ve lost — must be sorted out before they can move forward. The fact that it’s all happening while they’re in the gorgeous Azores Islands both helps and hinders their journey.

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MOVIE OF THE WEEK June 5, 2026: GEORGIA O’KEEFFE: THE BRIGHTNESS OF LIGHT

American visual artists don’t get much more iconic than Georgia O’Keeffe, the pioneering modern abstract painter whose iconic images have adorned walls everywhere from prestigious museums to college dorm rooms. In his thorough documentary Georgia O’Keeffe: The Brightness of Light, director Paul Wagner tells her fascinating, nearly century-long life story, following her and her evolving art from the plains of the Midwest to the New Mexico high desert and everywhere in between.

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MOVIE OF THE WEEK May 22, 2026: ASK E. JEAN

For anyone who hears the name “E. Jean Carroll” and thinks “that woman who sued Donald Trump,” do yourself a favor and watch Ivy Meeropol’s engaging documentary Ask E. Jean sooner than later. Because, yes, Carroll did do that, but she’s also done so much more (let’s just say that you don’t get nicknamed “the female Hunter S. Thompson” for being boring), and she deserves to be just as well known for all of that, too.

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