MAKING MARIE ANTOINETTE (Telluride FF 2026) – Review by Diane Carson
Already celebrated for her dazzling, incisive Hearts of Darkness: A Filmmaker’s Apocalypse (1991) documenting the filmmaking trials of husband Francis Ford Coppola’s Apocalypse Now, Eleanor Coppola’s Making Marie Antoinette (2026) confirms and enhances her reputation as an accomplished filmmaker in her own right. Early in the documentary, in excerpts from her journal spoken by Diane Lane, Eleanor acknowledges that she much prefers to stand back and observe, that “it is against my personality to shoot a documentary, and yet I continue to do so.”
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