WILL & HARPER – Review by Nadine Whitney

Harper Steele was always Harper Steele but for most of her life she wore the persona of Andrew Steele, an Iowa born and raised comedian and writer who worked on Saturday Night Live for many years. That is where Andrew first met a fresh-faced Will Ferrell in 1995 and the two became close friends and collaborators. Andrew was in Will’s corner when other people thought he was a dud addition to the famous sketch show. Andrew and Will were part of a core group of comedians and writers who included Tina Fey, Will Forte, Tim Meadows, Seth Meyers, Kristen Wiig, and Molly Shannon (all of whom make appearances) and so many more. Josh Rosenbaum’s documentary Will & Harper begins with “Famous movie star, Will Ferrell” relating his thirty-year friendship with Andrew and the email he received which caught him unaware – Andrew had transitioned to her authentic self, Harper, and was now living as a woman. Harper hoped Will would still want her in his life.

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AWARDS INTELLIGENCER: The Year of Ayo – Thelma Adams reports

The high-density competition for female actors at the 2024 Emmy’s is striking. In the case of The Bear’s breakout supporting character, Sydney Adamu played by Ayo Edebiri, she won the Emmy last year for Outstanding Supporting Actress in a Comedy Series. Now she’s back. This year, Edebiri’s nominated again – but she’s ascended to the Best Actress category. The field of nominees is strong, with her chief rival being Jean Smart for Hacks. Her other competition in this category is Quinta Brunson (Abbott Elementary), Kristen Wiig (Palm Royale), Maya Rudolph (Loot) and Selena Gomez (Only Murders in the Building).

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DESPICABLE ME 4 – Review by Kat Hughes

It has been seven years since the lastDespicable Me movie. In that time the popularity of the banana loving henchmen has continued to grow, but this latest entry pushes them back into the shadows to focus once more on Gru (Steve Carell) and his family. Despite the passage of time, Gru, Lucy (Kristen Wiig), Agnes (Madison Polan), Margo (Miranda Cosgrove), and Edith (Dana Gaier), have not aged. As with any popular animation, directors Chris Renaud and Patrick Delage have opted to freeze the characters in time. This move makes it easier for the audience to return and reform connections, but the two do shake things up slightly with the addition of a new family member – Gru Jr. The introduction of the baby freshens the family setting and creates ample opportunity for new gags.

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PALM ROYAL – Review by Susan Granger

Loosely inspired by Juliet McDaniels’ 2018 novel Mr. and Mrs. American Pie, the comedy series Palm Royale, set in the late 1960s, follows the misadventures of former Tennessee beauty queen Maxine Simmons (Kristen Wiig), a desperate social climber determined to join South Florida’s most elegant, exclusive country club. Created as a darkly comedic melodrama by showrunner Abe Sylvia, this flimsy, farcical, frivolous frolic starts out deceptively shallow but slowly builds in depth and intensity, incorporating a beached whale and an astronaut falling from the sky

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WEEK IN WOMEN: NBC Special Celebrates Carol Burnett’s Birthday – Brandy McDonnell reports

Paying tribute to a beloved national icon for her birthday, NBC will celebrate Carol Burnett’s illustrious career with Carol Burnett: 90 Years of Laughter + Love. The two-hour special will air at 8 p.m. ET/PT April 26 and will stream next day on Peacock. Filmed at Avalon Hollywood in Los Angeles, the star-studded special will feature an A-list lineup of musical performances and special guests, who will come together to share their love for one of the most cherished comediennes in television history.

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BARB AND STAR GO TO VISTA DEL MAR – Review by Leslie Combemale

Barb & Star Go To Vista Del Mar is a frothy flick that lands just in time for Galantine’s Day. Penned by and staring longtime friends Kristen Wiig and Annie Mumolo, the story target 40-something besties that harbor no longterm grudges or deep-seated animosity towards each other. There are Technicolor musical numbers, psychedelic vignettes, and over-the-top bananas plot devices. It’s a strange, tacky trip that works mostly through how Mumolo, Wiig, and the rest of the cast sell it, and it’s sweet and funny enough to put a one hour and forty-six minute pin in your pandemic fatigue.

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WONDER WOMAN 1984 – Review by Susan Granger

When Wonder Woman (2017) debuted, the origin story of the Amazonian Princess was sensational! It detailed her background, childhood and how she fell in love with a dashing-but-doomed W.W.I pilot. Director Patty Jenkins proved female super-heroes were just as mighty as men. Its sequel, beginning on the island of Themyscira, recalls how fearless, young demi-goddess Diana learned tough lessons about truth and honesty That’s the best part of the entire movie.

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WONDER WOMAN 1984 – Review by Carol Cling

Anyone who thinks 2020 has been a fiasco should be grateful to escape to Wonder Woman 1984’s Orwellian year. Despite its “Me Decade” setting, the long-delayed sequel to the character’s 2017 introduction proves strikingly timely. WW84 may take place in the greed-is-good Reagan era, but its central villain — a con-artist TV personality turned megalomaniac — may remind you of a certain contemporary figure. (Any similarities are, we’re sure, hardly coincidental.)

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