ETERNALS – Review by Karen Peterson

Myth, legend, and theology come together like they never have before in Marvel’s newest entry, Eternals. Academy Award-winning director Chloé Zhao brings her intimate, personal style of storytelling to cinema’s most sprawling universe, introducing new characters and new ideas to the familiar franchise. Despite the action and the visual effects, there’s little to remind us that this is a Marvel movie. it serves as a curious addition to the collection and an exciting peek into the future of the franchise. It is a future more reflective of the world we live in, with grander ideas and new types of storytelling.

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MALEFICENT MISTRESS OF EVIL – Review by Lana Wilson-Combs

Angelina Jolie shines in the dark and enchanting Disney, fantasy adventure Maleficent: Mistress of Evil. Directed by Joachim Rønning from a script by Linda Woolverton, Noah Harpster and Micah Fitzerman-Blue, this follow-up to the 2014 blockbuster Maleficent is a spirited revenge thriller.

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MALEFICENT: MISTRESS OF EVIL – Review by Brandy McDonnell

But “Maleficent: Mistress of Evil” is at its best when it lets its two powerhouse leading ladies – Jolie, who is a force of nature as the misunderstood Maleficent, and Pfeiffer, who chews the fantastical scenery with villainous glee – dominate the fairy story.

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MOVIE OF THE WEEK December 29: Best Female Characters of 2017

motw logo 1-35With thanks to the movie industry women and men who’ve brought them into our consciousness, Team #MOTW pays tribute to the brilliant female characters who’ve joined our pantheon of feminist film goddesses during 2017. They are a legion of strong, complex, compelling fictional, truth-based and real life women whose stories, struggles, aspirations and accomplishments inspire us. continue reading….

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THE WEEK IN WOMEN: Women Warriors Fuel LAST JEDI, Jolie fuels BREADWINNER and WANDA lists at National Film Registry — Brandy McDonnell reports

Women warriors continue to feel the Force in Star Wars: The Last Jedi. Producer Angelina Jolie promotes director Nora Twomey’s

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