MOVIE OF THE WEEK Dec 6, 2019: PORTRAIT OF A LADY ON FIRE

A picture is worth a thousand words — and leads to a thousand longing glances — in writer/director Celine Sciamma’s passionate drama Portrait of a Lady on Fire. Set in remote mid-1700s Brittany, it follows the increasingly intense relationship between painter Marianne (Noemie Merlant) and her unknowing subject, Heloise (Adele Haenel), who has just left sheltered convent life.

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PORTRAIT OF A LADY ON FIRE – Review by Leslie Combemale

If there is such a genre as ‘Mystical Femme,’ and there really should be, French writer/director Céline Sciamma’s Portrait of a Lady on Fire belongs in it, placed at the top. Winner of the Queer Palm and Best Screenplay at the 2019 Cannes Film Festival, the film features magnetic lead actresses whose chemistry with each other is off the charts.

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PORTRAIT OF A LADY ON FIRE – Review by Sheila Roberts

If you enjoy femme-centric cinema with a strong female gaze, go see filmmaker Celine Sciamma’s sublime period drama, Portrait of a Lady on Fire, set on an isolated island in 1760’s Brittany. Sciamma examines the relationship between a reluctant bride-to-be (Heloise/Adele Haenel) and the artist (Marianne/Noemie Merlant) secretly commissioned by her mother (La Comtesse/Valeria Golino) to paint her wedding portrait. While posing as a hired companion, Marianne surreptitiously observes every detail of her subject on their daily walks then paints Heloise from memory in the evenings.

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PORTRAIT OF A LADY ON FIRE – TIFF19 Review by Alexandra Heller-Nicholas

The manner with which acclaimed French filmmaker Céline Sciamma tackles the notion of the female gaze in Portrait of a Lady on Fire transcends mere cleverness and artistry; she elevates it to something almost mystical.

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