WEEK IN WOMEN: Gotham Awards Best Feature Noms All from Women Directors – Brandy McDonnell reports

The Independent Filmmaker Project has announced the nominees for the 30th Annual IFP Gotham Awards, and this is the first time that all five nominated films in the best feature category are from women directors: The Assistant from Kitty Green, First Cow from Kelly Reichardt, Never Rarely Sometimes Always from Eliza Hittman, Nomadland from Chloé Zhao and Relic from Natalie Erika James.

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THE 40 YEAR OLD VERSION – Review by April Neale

Filmmaker Radha Blank’s starring turn as the fictional Radha is one to watch. She’s at a trifecta milestone in life, ruing her age, grieving for her mother and trying to make sense of career and survive in a high cost city. What’s an artist to do? This observant, perfectly lense and written comedic sidewinder follows this likeable woman’s path to getting her groove back by reinventing her creative outlets.

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Sundance 2020: Black Women Directors Prevail – Kathia Woods reports

Sundance Film Festival featured many films directed by black women. Each film had a different theme and inspiration. Each of the filmmakers had a different point of entry into filmmaking. Some went to film school others went out on a whim, but each brought a strong personal vision and compelling story to the screen, showing that the black experience is not monolithic, but very global. That’s the beauty of filmmaking.

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Sundance 2020: Female-Directed Films – Leslie Combemale reports

I saw only films directed by women this year, and my focus was on films from the Latinx community, as well as World films from diverse cultures, and African-American filmmakers. How absolutely delightful that I found nearly all of the movies I saw to be well-crafted, compelling, and unique, but a number of them were to be more widely celebrated because they’d gained distribution or won awards, or both.

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Women At Sundance 2020: Cause for Celebration – Leslie Combemale reports

The Women at Sundance Celebration will be one of the highlights of my festival. I’m sure that’s true for many of those who attended it. It highlighted not only the work of two American icons, it celebrated new voices of all ages, backgrounds, and cultures, and it did so in the spirit of collaboration and cooperation. That is the essence of the female gaze.

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