GLADIATOR II – Review by Diane Carson

Fans of excessive violence and banal stereotypes will welcome director Ridley Scott’s Gladiator II, set sixteen years after Gladiator, also directed by Scott. First, good news. Technically, every element shines from John Mathieson’s impressive cinematography reportedly often involving eight to twelve cameras filming simultaneously. Compositions, lighting, art direction, and editing contribute a professional gloss to events, obvious CGI excepted. In addition, the ensemble cast, to a person, commit fully to their two-dimensional characters, all familiar caricatures, lacking any complexity. They each telegraph their function immediately and often.

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GLADIATOR II – Review by Valerie Kalfrin

Like an ancient road, Gladiator II, a sequel arriving twenty-four years after the Oscar-winning Gladiator, covers some familiar ground. Director Ridley Scott’s historical epic ramps up swords-and-sandals violence, delivering a visual spectacle of decapitation, dismemberment, and free-for-alls that include battles at sea.
Yet the story doesn’t have the same resonance as the original, where the honorable Roman general Maximus (Russell Crowe), betrayed and enslaved, fought for his freedom and to depose a corrupt emperor through combat in the Coliseum.

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GLADIATOR II – Review by Susan Granger

After Gladiator (2000) won an Oscar as Best Picture, Ridley Scott waited more than 20 years to return to Rome’s ancient Colosseum to film Gladiator II. While the first Gladiator focused on Roman General Maximus (Russell Crowe), this follow-up introduces Lucius who, as a sensitive 12 year-old in Numidia, was forced to leave his aristocratic family, go into hiding and ‘forget’ his identity. it’s a redemptive comeback for 86 year-old Ridley Scott after duds like Napoleon, House of Gucci, and The Last Duel. And it should nab a Best Supporting Actor nomination for scene-stealing Denzel Washington.

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GLADIATOR II – Review by T.J. Callahan

It’s been 24 years since director Ridley Scott awed movie goers with Gladiator, his Oscar-winning Roman Colosseum sword fest soap opera. But It hasn’t been that long in screenplay years. Gladiator II is set 16 years after Lucius witnessed the death of Maximus. Bigger, louder and bloodier, Gladiator II is the epic battle for supremacy. It’s two hours and 20 minutes of posturing and pillaging leading to catastrophic carnage. Heads roll. Literally!

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MOVIE OF THE WEEK January 19, 2024: ORIGIN

Making a dramatic feature based on a nonfiction book can be a tricky proposition, but Ava DuVernay does it adeptly with her thought-provoking, powerfully moving Origin. Inspired by journalist Isabel Wilkerson’s best-selling 2020 book Caste: The Origins of Our Discontents, the film combines the book’s arguments with Wilkerson’s experiences researching and writing it; the end result is a compelling look at trauma, grief, and the absolute tragedy of dehumanizing certain groups of people.

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Neasa Hardiman Talks SEA FEVER – Marina Antunes interviews

The time is always right for a creature movie. In good times it’s fun to get cozy with a loved one and get a little frightened together. In bad times, it’s reassuring to see people working together to defeat a common evil. The most effective are stories that focus on an individual’s motivation and how their decisions affect themselves and the outside world. In Sea Fever, Neasa Hardiman has a lot to say about that.

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SEA FEVER – Review by Alexandra Heller-Nicholas

It is to the briny depths that Irish filmmaker Neasa Hardiman turns for her feature debut, Sea Fever. A stalwart and highly experienced television director, as both writer and director Hardiman demonstrates a steady hand as she captains the film throughout what in generic terms is thrilling yet rather pedestrian ocean-monster science fiction territory.

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