BAM BAM: THE SISTER NANCY STORY (Tribeca 2024) – Review by Leslie Combemale

The 1982 Reggae tune Bam Bam is the sort of anthem of female empowerment that transcends time and genre. It represents one of the rare female-led reggae performances of that or any era, making Sister Nancy a star at the tender age of 20. Bam Bam has been used and sampled hundreds of times since its release, by some of the most famous musicians in the business. Royalties that should have gone to Sister Nancy and her collaborators never came her way. Over the years the tune continued to get new fans, but Sister Nancy had to take a job as an accountant to support her career as a performer. Oh, and another thing, for all the time since its original recording, the master tapes have been missing.

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MOVIE OF THE WEEK February 2, 2024: FITTING IN

It’s unusual (and therefore always appreciated) to see teens portrayed authentically in the movies. Too often, the slang is all wrong, the references are outdated, and the situations are enough to make a real-life teen roll their eyes hard. That’s a significant part of why Molly McGlynn’s empathetic drama Fitting In succeeds: As it tells the story of high schooler Lindy (Maddie Ziegler) and her journey to accepting the differences that set her apart from her peers, it always feels real.

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FITTING IN – Review by Loren King

Fitting In is about 16 year-old Lindy (Maddie Zeigler) as she navigates the rough waters of sex, gender and body image after she is diagnosed with Mayer-Rokitansky-Küster-Hauser (MRKH) syndrome, a surprisingly not uncommon congenital condition that means she doesn’t menstruate, has a small vaginal canal and no uterus. This fact will be an education to many but there’s nothing clinical about the film which handles its story and characters with both humor and substance.

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FITTING IN – Review by Sherin Nicole

“I’m not normal. You’re not normal.” That line is the battle cry of liberation in Fitting In. Written and directed by Molly McGlynn, this tale of teenaged awakening focuses on the upheaval that detonates when Lindy (Maddie Ziegler) realizes she’s not what society calls “normal.” Played with saucy realness by Ziegler, tentative bravado by Djouliet Amara, and gentle fortitude by Ki Griffin, Fitting In rejoices in dismantling our quests for an idea of normalcy that the government or the guardians or the school board tells us is who we are supposed to be.

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FITTING IN – Review by Leslie Combemale

Wow, what a beautiful, original narrative about navigating life with a female body in a man’s world. There’s no victimhood in writer/director Molly McGlynn’s coming of age dramedy Fitting In, just teens figuring things out and finding a way to prioritize self-acceptance over fitting into a cisgendered society’s expectations. McGlynn has created one of the most female-centric stories I’ve ever seen. The story is of Lindy, who discovers she has MRKH Syndrome, which means she’ll never have a period, has no vaginal canal or uterus, and will never bear children. McGlynn comes by the film’s perspective honestly, having the rare reproductive disorder herself.

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FITTING IN – Review by Cate Marquis

Writer-director Molly McGlynn sensitively handles Lindy’s struggle with her life-changing news, but as serious as this subject is, the director balances the tone by injecting a little gentle humor and adding a bit of information on intersex people and other human variations in sex organs, especially through an intersex character Jax (Ki Griffin). Fitting In follows Lindy’s efforts to find a way to cope, while touching on common real-world issues for teens like feelings about their bodies, fitting in socially, identity struggles, teen-parent communication, and also bullying, gossip, and toxic social media. The result is a teen dramedy that is surprisingly likable, as well as a warm and honest film about a teen finding her own way.

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GLASS ONION: A KNIVES OUT MYSTERY – Review by Susan Granger

It’s not exactly accurate that Rian Johnson’s follow-up Knives Out Mystery is called “-Glass Onion”- because the so-called ‘onion’ is actually a glass dome – with no layers and, essentially, hollow. Having relinquished his James Bond persona, Daniel Craig reprises the dapper Southern detective, Benoit Blanc, in this overly intricate Agatha Christie-like murder mystery set on a luxurious private island that’s populated by a motley assortment of colorful guests. Problem is: despite some intriguing cameos, none of the cast of characters in this whodunit is remotely likeable, so why should we care who murdered whom?

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GLASS ONION – Review by Martha K Baker

Gone are the cardigans and libraries. Gone the bookish air of a British mystery. Gone the cozy. In their familiar places are technology, a pandemic, wizardry, and glass galore. Writer/director Rian Johnson created a blockbuster with Knives Out, appealing to British mystery fans. He’s now created a much noisier, more intricate, more boisterous mystery but, nonetheless, an intriguing one.

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ANTEBELLUM – Review by Susan Granger

If you’re into bizarre, off-beat films, consider this Prime Video ‘historic horror.’ It begins with a slave, Eden (Janelle Monae), enduring agonizing brutality on a Southern plantation sometime during the Civil War. She’d love to escape but…then there’s a time-travel element. Unfortunately, there’s no way to discuss this basic premise without spoiling it.

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WEEK IN WOMEN: Monae’s ANTIBELLUM gets Premium On-Demand release – Brandy McDonnell reports

Lionsgate has announced that its compelling, highly anticipated horror-thriller Antebellum, starring Janelle Monáe, will premiere as a Premium On-Demand release, debuting on all platforms on September 18. Written and directed by advocacy filmmakers Gerard Bush and Christopher Renz, the mind-bending horror-thriller will be released theatrically in select international markets.

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