ELEANOR THE GREAT – Review by Susan Granger

Scarlett Johansson makes her feature film directing debut with Eleanor the Great, a prickly character study, starring 95 year-old June Squibb. Squibb plays grieving Eleanor Morgenstein who suffers the devastating loss of her best friend Bessie, causing her to relocate from Florida to New York City to live with her overly-stressed adult daughter and unreliable grandson Looking for company at the local Jewish Community Center, Eleanor mistakenly wanders into a Holocaust support group, where she impulsively tells a tale that brings her a precarious level of attention that she did not expect.

Read more

ELEANOR THE GREAT – Review by Lois Alter Mark

June Squibb is a national treasure. At the age of 95, the actress is still full of surprises – as well as award-worthy performances like the one she gives in Scarlett Johansson’s directorial debut, Eleanor the Great. Eleanor the Great is both hilarious and heartbreaking. Tory Kamen’s screenplay is a fresh take on a Holocaust story, with plenty of laughs, care of Eleanor’s unfiltered mouth. Although there are moments in the film that require some suspension of disbelief, the characters (and the actors portraying them) are so engaging, it’s easy to just go along for the ride.

Read more

ELEANOR THE GREAT – Review by T.J. Callahan

Director Scarlett Johansson Johansson brings together themes of aging, family, loss, deception, truth vs reality and, most of all, friendship. It’s refreshing she’s willing to highlight older persons and their life struggles, in turn giving top billing to mature actors who have a dearth of meaty roles to choose from. June Squibb and Rita Zohar, who plays her best friend Bessie, are exceptional.

Read more

ELEANOR THE GREAT – Review by April Neale

Scarlett Johansson makes a bold feature directing debut with Eleanor the Great, a prickly, poignant dramedy anchored by June Squibb in a role that defies the usual saintly-bubbie mold. It’s a film about grief, memory, and the dangerous comfort of borrowed stories. This is an uneasy premise given how severe the “white lie” is that Eleanor tells, yet Johansson tackles it with surprising assurance as a visual storyteller.

Read more

ELEANOR THE GREAT (TIFF 2025) – Review by Valerie Kalfrin

June Squibb’s latest venture, Eleanor the Great, is so-so in spots, but Squibb is a firecracker, dropping tart observations between poignant reflections on grief. Ultimately, this is a film about grief, survival, and the power of stories conveyed with empathy and hope. While it’s not new to say that stories help the dead to live again, Eleanor the Great proves to be a tender reminder about how stories are essential to connection, even when they’re not our own.

Read more

ELEANOR THE GREAT (TIFF 2025) – Review by Leslie Combemale

It’s probably true that at this point 95 year old actor ​June Squibb can do no wrong. She is not only a singular talent, she’s live goals. Just last year she starred in ​Thelma​, in which she did all her own stunts. Now we all have the pleasure of seeing her star shine again onscreen in the title role of​ Eleanor the Great​, ​Scarlett Johansson’s feature directorial debut. When we are introduced to Eleanor, she seems kind of mean spirited. Bossy and not particularly likable, she and her bestie and housemate Bessie terrorize the neighborhood as much as two ninety-somethings can.

Read more

THE OLD GUARD 2 – Review by Lynn Venhaus

A lackluster follow-up to the engaging action-packed original, The Old Guard 2 disappoints with a murky, morose narrative that fails to recapture any energy shown in the first superhero fantasy adventure. This film is blood-soaked and brutally violent, with all sorts of wicked implements like swords and battle axes wielded. But this time, the combat set pieces are staged with little finesse. While dialogue is mostly by the book, as before, here there is more introspection, but that doesn’t mean the story is lucid.

Read more

THE LIFE OF CHUCK – Review by T.J. Callahan

Chuck Krantz is the Oz of the Apocalypse. The last meme. Larger than environmental degradation. His face is on billboards, in windows, on television…thanking him for 39 years of service. For what? No one seems to know Chuck or why his likeness is everywhere. But just as his time is up, so is the world’s. Armageddon is near. Or is it just the Twilight Zone?

Read more

THE POD GENERATRION – Review by Lois Alter Mark

I get that The Pod Generation, Sophie Barthes’ new film about pregnancy in the age of technology, is supposed to be satire; I really do. Yet, instead of laughing, I found myself growing increasingly sad as I watched it. Which doesn’t mean it isn’t good. In fact, it’s quite the opposite. It’s so good, I’m worried it could actually be a foreshadowing of our future. More than a satire, The Pod Generation is a cautionary tale. I wonder what ChatGPT would have to say about it.

Read more

THE POD GENERATION (Sundance FF2023) – Review by Nadine Whitney

Near future dystopia/science fiction narratives are not a new concept. Black Mirror created by Charlie Booker capitalised on our collective anxiety about technology and was often prescient about how contemporary society is shaping itself in the Western World. Sophie Barthes’ The Pod Generation is so adjacent to our future that she incorporates technology from now almost seamlessly. Current generation iPads abound as well as phones that are recognisably the ones most people use at the moment. The “nowness” of Barthes’ vision makes it all the more immediate.

Read more