ROMERIA – Review by Sarah Ward
Carla Simón has done it again — made a marvel of a movie, that is, and one so teeming with insight and spirit that its personal ties are always evident, as was the case with both Summer 1993 and Alcarràs. The Spanish writer/director may prefer to stay in semi-autobiographical territory again with the richly evocative and resonant Romería; however, as she keeps amassing a resume enviable for its intimacy and intelligence, her work is no less affecting for fictionalising some of the specifics.
Read more