MOVIE OF THE WEEK May 15, 2026: MAGIC HOUR

It’s tricky to discuss Katie Aselton’s poignant relationship drama Magic Hour without revealing the story twists that give it such a powerful emotional punch. The writer-director-star crafts the first act of her film very carefully, setting viewers’ expectations and then challenging them. The result is both romantic and touching, with memorable performances by Aselton and co-star Daveed Diggs and a gorgeous, haunting setting amid the singular landscape of Joshua Tree.

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MAGIC HOUR – Review by Monique Jones

Magic Hour can be a powerful release for viewers who feel that film can help process the wildness of grief. The film shows how hard it can be to let go, and I think that can give some viewers a feeling of comfort. Too often, film and TV portray grief as something easy to get over, but it’s refreshing to see Magic Hour show the struggle in finding a “new normal” after death.

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NICKEL BOYS – Review by Diane Carson

Nickel Boys delivers an imaginative drama of friendship countering racism. Incorporating appalling events from the real-life Arthur G. Dozier School for Boys, director RaMell Ross’s Nickel Boys adapts Colson Whitehead’s 2019 novel detailing brutality at that juvenile reformatory. After a 2012 forensic anthropology survey documented numerous unmarked graves and over 100 deaths, further investigation authenticated barbaric treatment at this Florida reform site for over one hundred years, 1900 to 2011.

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NICKEL BOYS – Review by Valerie Kalfrin

Nickel Boys is a drama of memory and resolve, of paths that cross and lives that change in immutable ways. Based on Colson Whitehead’s Pulitzer Prize-winning 2019 novel about the unconscionable abuse at a Florida boys reform school during the Jim Crow era, it’s a powerful, evocative story of friendship, pain, survival, and redemption. The film demonstrates the value in excavating the past for a better future, something this country often stubbornly refuses to do. (The current push to remove language about racism from government initiatives and school curricula makes this story as relevant as it is timeless.) The past might be wrenching and uncomfortable, but it never stays buried, and only by reaching out to each other can we fully heal.

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NICKEL BOYS – (Middleburg FF 2024) – Review by Leslie Combemale

The narrative feature of the same name was shown at Middleburg Film Festival as the closing film, and what a way to go out. An Oscar nominee for his evocative and visually compelling 2018 documentary Hale County This Morning, This Evening, RaMell Ross uses the same subjective and artistic lens for this new film, his first narrative feature. Nickel Boys is shown entirely from the perspectives of Elwood (Ethan Herisse) and Turner (Brandon Wilson), which creates not only a very artistic vision of their experiences, but also demands the audience live their journeys with them, in all their hopeful or horrific detail.

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THE LITTLE MERMAID – Review by Susan Granger

Why this live-action remake of Disney’s beloved 1989 animated classic? Because it’s “woke” 2023 – when audiences may want to see a more dutiful, diversity-aware approach to race and gender in The Little Mermaid. Sweetly guileless Ariel (Grammy-nominated Halle Bailey) is one of King Triton’s many, multiethnic mermaid daughters. Despite her widowed father’s disapproval, she avidly collects artifacts from the human world that she scavenges from shipwrecks with the help of her fish friend Flounder and Scuttle, a squawking seagull.

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THE LITTLE MERMAID – Review by Valerie Kalfrin

Disney’s new live-action take on The Little Mermaid goes along swimmingly in its sweet romance, but it doesn’t diverge enough from its animated roots to truly make a splash. First things first: The charming Halle Bailey gets Ariel endearingly right, from her innocent optimism to unquenchable curiosity. Unfairly targeted with racist vitriol after the initial trailers, Bailey is a likable lead, and it’s easy to imagine young mermaid fans loving her and her sisters, who also are women of different races. The Little Mermaid is adorable enough in parts, but its story largely stays on the surface. Like Ariel in “Part of Your World,” I wanted more.

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THE LITTLE MERMAID – Review by Susan Kamyab

Thanks to the committed cast and their captivating performances, this is one of the few Disney live-actions I’m happy with. And if there was any reason for this remake in particular, it was to have Halle Bailey play Ariel. Baily shines as Ariel. Her voice is breathtaking and she’s a talented actor. It’s also heartwarming to know that so many young girls are going to get to see themselves represented through such an iconic Disney Classic.

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HAMILTON – Review by Susan Granger

Five years ago, theatergoers and critics were dazzled by this vivacious, culturally significant musical about the nation’s first Treasury secretary, political mastermind Alexander Hamilton. Now you can see the thrilling, live-capture, the 161-minute film version with the original principal Broadway cast.

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HAMILTON – Review by Martha K Baker

Concerning this televised version of Hamilton, analyst Soraya McDonald asked in a recent essay, “What now?” If Hamilton turned a “revolution into a revelation” when it opened in 2015, she wrote, how is its take on history going to be viewed today, with revolution in the streets?

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