A PRIVATE LIFE – Review by Susan Granger

Not one of Jodie Foster’s best films but unusual because – in her protagonist performance – she speaks impeccable French, making A Private Life more of a curiosity than a ‘must see.’ When Paris-based American psychoanalyst Lilian Steiner (Foster) learns that her patient of nine years committed suicide, she sets out to prove that she was actually murdered, enlisting help from her ex-husband. While it’s not the first time Foster has acted in French, it’s the most significant role in the language that she’s ever played, working with a director – Rebecca Zlotowski – who co-wrote the script with Anne Berest with her in mind.

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MOTW January 16, 2026: A PRIVATE LIFE

A psychiatrist’s personal and professional insecurities come together to send her spiraling in the wake of her long-time patient’s death in director Rebecca Zlotowski’s engrossing mystery/thriller A Private Life. Starring Jodie Foster in her French-language feature debut, the film follows Dr. Lilian Steiner (Foster) as she gets caught up in trying to prove that the engimatic Paula Cohen-Solal (Virginie Efira) didn’t die by suicide but, in fact, was murdered.

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HOLD ME TIGHT – Review by Diane Carson

From the opening moments of Hold Me Tight (Serre moi fort), French director Mathieu Amalric invites us to put assorted jigsaw puzzle pieces together. Soon revealed as the mother of son Paul and daughter Lucie, Clarisse sits before a dozen face down photos which she turns up and then back to face down, repeating angrily, Let’s start again.

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MOVIE OF THE WEEK September 9, 2022: HOLD ME TIGHT

Haunting, engrossing, mysterious — the one thing that director Mathieu Amalric’s melancholy drama Hold Me Tight never is, is predictable. It will keep you guessing and hypothesizing until its final scenes. And thanks to Vicky Krieps’ magnetic performance as Clarisse, a conflicted French wife and mother who abruptly leaves her family early one morning (or does she?), it offers a poignant meditation on the nature of memory and loss, identity and purpose.

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52nd New York Film Festival: Provocation and Pleasure – Rania Richardson Comments

Many of the films in the recently concluded 52nd New York Film Festival will fill theaters, fuel discussions, and collect awards for months to come. Topping the list is Citizenfour, a late edition to the tightly edited festival’s main slate of 31 features. Other films of particular interest include Birdman, Inherent Vice, and The Wonder.

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