THE INVITE – Review by Susan Granger

I’m glad I waited to see The Invite on Prime Video because – while Olivia Wilde helms this forebodingly unpredictable sex comedy – it’s not worth a trip to the multiplex. Adapted by Will McCormack and Rashida Jones from the Spanish film Sentimental (2020), it’s basically a four-hander, set in San Francisco. What happens is for you to discover – as all four actors play their parts convincingly. Reminiscent of but not nearly as good as Who’s Afraid of Virginia Woolf? it’s yet another deep dive into a tense, troubled, middle-age marriage.

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THE INVITE – Review by T.J. Callahan

If you like edgy dinner parties that promise the possibility of sex, drugs and a rock n roll of emotions, then make sure you RSVP for The Invite. Olivia Wilde directs herself, Seth Rogen, Edward Norton and Penelope Cruz in this relationship dramady that will leave you evaluating your own partnership. The film takes place in the living room of the San Francisco apartment of Angela (Wilde) and Joe (Rogen). They’ve invited their rather lively upstairs neighbors, Hawk and Pina (Norton and Cruz), over for dinner, but when the party spirals into unexpected places, Angela and Joe don’t know if they’ve reignited the spark in their troubled marriage or lit the flame that burns it down.

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THE STUDIO – Review by Susan Granger

Ever wanted to sneak behind-closed-doors and see what propels the Hollywood Dream Machine? That’s what happens in the cameo-cluttered, 10-episode satire The Studio, skewering the perennial Art-vs-Commerce dilemma. When delusional dreamer Matt Remick (co-creator Seth Rogen) becomes the head of Continental Studios , he’s told by CEO Griffin Mill (Bryan Cranston) that his job is to make IP-driven movies that will succeed at the box-office, not “artsy-fartsy films.” Problem is: pretentious cinephile Matt thinks he can do both

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DON’T WORRY DARLING – Review by Susan Granger

If there’s truth in the old adage that any publicity is good publicity, Don’t Worry Darling should blast off at the box-office. After its Venice Film Festival premiere, salacious buzz about the psychological thriller centered on rumors about tension between director Olivia Wilde and star Florence Pugh. This is Wilde’s second directorial effort. Problem is: there are too many intriguing yet meaningless distractions that dilute what should have been a provocative payoff.

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DC LEAGUE OF SUPER PETS – Review by Susan Granger

According to legend, when his home planet of Krypton was about to explode, baby Kal-El’s parents placed him in a space capsule headed for Earth. But what no one realized until now is that, just before blast-off, Kal-El’s beloved puppy, Krypto, jumped into the capsule too. Written by director Jared Stern (LEGO animated films) with John Whittington, this animated comic-book feature is loosely based on DC’s “Legion of Super-Pets,” which first appeared in 1962’s “Adventure Comics #293.” It’s loaded with laughs, imaginative jokes and a heartfelt life lesson about the value of friendship – and it sets up a sequel.

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GHOSTBUSTERS: AFTERLIFE – Review by Susan Granger

Ghostbusters: Afterlife, as a new generation battles the spirit world. Directed by Jason Reitman, son of Ivan Reitman who directed the first two 1980s movies, it’s a continuation of the story from Ghostbusters and Ghostbusters II, including original cast members, including Bill Murray, Dan Aykroyd, Ernie Hudson, Annie Potts and Sigourney Weaver.

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HOW IT ENDS – Review by Valerie Kalfrin

Poets have wondered whether the world ends with a bang or a whimper, in fire or in ice. The Los Angelenos in the quirky yet poignant comedy How It Ends aren’t quite as philosophical in the shadow of a meteor about to strike the Earth. Yet such circumstances call for reflection, facing fears, and resolving past regrets.

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HOW IT ENDS (Sundance2021) – Review by Pamela Powell

Hats off to Zoe Lister-Jones and husband Daryl Wein for writing, directing, and completing a funny, off-beat film during the Covid pandemic. Lister-Jones also stars in the film as Liza who is planning how she will spend her last day on Earth as three asteroids will be destroying the planet later that night. As we have all learned during a crisis, there’s a rush on certain things.

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WEEK IN WOMEN: AMPAS ’20 Invitees are 45% Women – Brandy McDonnell reports

The 2020 class of invited Academy members is 45% women, and includes Zazie Beetz, Awkwafina and Olivia Wilde. among others. Additionally, 36% if the invitees are from underrepresented ethnic/racial communities, and 49% are international artists and industry executives from 68 countries.

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WEEK IN WOMEN: Florence Pugh Cast in Olivia Wilde’s DON’T WORRY DARLING – Brandy McDonnell reports

Oscar nominee Florence Pugh been cast in actor/director Olivia Wilde’s upcoming 1950s period film Don’t Worry Darling. Pugh will star as a housewife who discovers an unsettling truth about her seemingly ideal life in an utopian community in the California desert.

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