MOVIE OF THE WEEK Dec 6, 2019: PORTRAIT OF A LADY ON FIRE

A picture is worth a thousand words — and leads to a thousand longing glances — in writer/director Celine Sciamma’s passionate drama Portrait of a Lady on Fire. Set in remote mid-1700s Brittany, it follows the increasingly intense relationship between painter Marianne (Noemie Merlant) and her unknowing subject, Heloise (Adele Haenel), who has just left sheltered convent life.

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PORTRAIT OF A LADY ON FIRE – Review by Leslie Combemale

If there is such a genre as ‘Mystical Femme,’ and there really should be, French writer/director Céline Sciamma’s Portrait of a Lady on Fire belongs in it, placed at the top. Winner of the Queer Palm and Best Screenplay at the 2019 Cannes Film Festival, the film features magnetic lead actresses whose chemistry with each other is off the charts.

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PORTRAIT OF A LADY ON FIRE – Review by Sheila Roberts

If you enjoy femme-centric cinema with a strong female gaze, go see filmmaker Celine Sciamma’s sublime period drama, Portrait of a Lady on Fire, set on an isolated island in 1760’s Brittany. Sciamma examines the relationship between a reluctant bride-to-be (Heloise/Adele Haenel) and the artist (Marianne/Noemie Merlant) secretly commissioned by her mother (La Comtesse/Valeria Golino) to paint her wedding portrait. While posing as a hired companion, Marianne surreptitiously observes every detail of her subject on their daily walks then paints Heloise from memory in the evenings.

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MOVIE OF THE WEEK February 15, 2019: DAUGHTER OF MINE

motw logo 1-35A passionate exploration of the nature of motherhood, daughterhood, and connection, Laura Bispuri’s Daughter of Mine has a raw, naturalistic feel that makes its characters and their choices seem very real. Viewers are plunged right into the world of two Italian women who both lay claim to a young girl who finds herself torn between them.

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DAUGHTER OF MINE – Review by Loren King

Two very different women in a sleepy small town, bound by a shared secret … if that sounds like a Lifetime movie, or even a delicious Douglas Sirk melodrama, Daughter of Mine, from director Laura Bispuri, is anything but. It’s a compelling, naturalistic tale of motherhood and mother love, with a memorable young girl, Vittoria (Sara Casu), at the center of a stormy, primal relationship.

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DAUGHTER OF MINE – Review by Cate Marquis

Laura Bispuri’s strikingly honest Daughter of Mine, an Italian-language drama that explores the meaning of motherhood through the tense struggle between two women who both have claims on a 9-year-old girl. Set in the wind-swept, sandy island of Sardinia off Italy’s coast, the drama is both specific to this location and these people, and universal.

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