THE SECRET WOMAN – Review by Susan Granger

Netflix’s intriguing Danish psychological thriller The Secret Woman introduces a lady with amnesia who learns that she’s not only a missing heiress but also married and the mother of a young son. The story begins in Denmark as an adult female is climbing over the railing of a huge bridge with someone in pursuit; terrified, she jumps off, just as a cargo ship passes below. Cut to: Louise Andersen who runs a small café on the idyllic Norwegian island of Hidra with her novelist fiancé Joachim. Their peaceful life is shattered when a stranger appears, insisting that her real name is Helene, not Louise.

Read more

CONFINEMENT – Review by Marina Antunes

While the rest of the world and more than a few movies, obsess over evil AI’s, Peter Howitt, whose notable works include Sliding Doors, Laws of Attraction and In the Name of the Father, the latter of which, I’m sorry to say I have yet to see, has opted for a far more classic evil: the demon child. I love to bask in the glow of a cheesy pseudo-horror with demonic overtones and from the opening scene of Confinement, there is an inkling that perhaps this movie will deliver on the promise of its ridiculous premise but alas, it is not meant to be.

Read more

DROP – Review by T.J. Callahan

Drop is high tech Hitchcock. Slow burn suspense for the social media savvy where everyone is a suspect. Director Christopher Landon (Happy Death Day) plays a game of chess with pawns aplenty. Every character is put in the line of fire whether they deserve to be or not. While Landon doesn’t let Drop fall flat, the film lacks buoyancy. The audience treads water for the first hour as the characters are introduced and the build up simmers. The last 30 minutes is a smash…literally.

Read more

BOTH EYES OPEN – Review by Justina Walford

Both Eyes Open is a thriller that starts as a domestic violence survivor thriller (a trope I’m not a fan of and will go into detail later), but the story does develop into the terrifying task of making trusting friendships. As a fully grown woman, I think there’s some relatable tension in the task of making new friends. And it’s clear the plot is a tool to tell the story: finding new friends sucks. Writer and director, Ariel Julia Hairston, has a gift for exploring the nuances of friendship among women. As we follow Ally (Gail Bean) through the expected thriller maze of mysterious messages and doubting her own sanity, the film finds its rhythm when Ally is navigating her self-doubt in a very human tug-of-war between an old friend and a new acquaintance.

Read more

MOVIE OF THE WEEK October 18, 2024: WOMAN OF THE HOUR

Succeeding as both a tense true-crime thriller and a commentary on the seemingly never-ending fight for women to be taken seriously by the powers that be, Woman of the Hour is an engrossing, tightly paced directorial debut by actress Anna Kendrick. Set in late 1970s Hollywood, the film was inspired by the real-life story of serial killer Rodney Alcala and his unlikely appearance on TV’s popular Dating Game show.

Read more

WOMAN OF THE HOUR – Review by Loren King

Anna Kendrick deftly juggles timeline and tonal shifts to create a subversive crime thriller with expected scares and unexpected empathy and humanity. The second half of the film is a strange trip into the surreal but impeccably designed Dating Game set, with Tony Hale as the sexist and smarmy host (a Jim Lange stand in, presumably for legal reasons). Bradshaw manages, with advice from the jaded and clearly ignored women on the set, to push past sexist pre-written questions, grab the spotlight and shine.

Read more

WOMAN OF THE HOUR – Review by Liz Whittemore

Anna Kendrick’s directorial debut taps into every female’s greatest fears. Woman Of The Hour tells the true story of Cheryl Bradshaw as she appeared opposite a serial killer on The Dating Game. Struggling actress Cheryl accepts a reluctant gig on the famous 1970s game show. Sick and tired of the typical dumbed-down fare, Cheryl takes control of the episode with rewritten, quick-witted questions. But someone in the audience recognizes contestant Number Three for all the wrong reasons. Alongside Cheryl’s journey, the film includes vignettes of Rodney Alcala’s other victims through the years. Each encounter is slightly different, but the consequences are equally horrific. Alcala’s methods are slick and sadistic. Reeling women into the desert with his promises of photography and flattering words, he is a perfect predator. Rejection serves as his trigger.

Read more

SPEAK NO EVIL – Review by T.J. Callahan

Speak No Evil isn’t a tongue in cheek thriller. What this remake of a 2022 Dutch horror drama is, is a social satire on the excessive extremes of the middle class that will leave you breathless. And it’s fun…if waiting for potential torture and murder is fun. James McAvoy stars in the new English version that follows the original story almost to a tee…until the last 30 minutes. That’s where this Rated R 2024 release switches gears and tones down on the gruesomeness, but, fortunately, not the suspense and shock.

Read more

MEMORY – Review by T.J. Callahan

It has been two and a half months since we last saw Liam Neeson kill someone. Well, in the Hollywood timeframe context, that’s just too long. The filmmakers who produce Liam Neeson movies must have a short memory because all Liam Neeson’s films are the same: I will look for you, I will find you, and I will kill you. In Memory, Neeson plays the bad guy with a heart — an assassin who won’t kill children.

Read more