MOVIE OF THE WEEK January 17, 2020: CHICHINETTE: THE ACCIDENTAL SPY

Telling your story — bearing witness to your own life and those of the people you’ve loved (and lost) — is one of the most powerful things someone can do, especially when they’ve lived through historic events. But it’s not always easy, as we learn from watching Nicola Hens’ engaging documentary Chichinette: The Accidental Spy about former WWII spy Marthe Cohn, who, now nearly 100 years old, still travels the world sharing her experiences with others.

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MOVIE OF THE WEEK January 3, 2020: SPEED OF LIFE

What if, instead of being a space oddity, the infinitely creative David Bowie was actually a time and space oddity, and his passing literally ripped a hole in the universe? That’s the intriguing premise of Liz Manashil’s charming indie dramedy Speed of Life, which centers on an avid Bowie fan named June whose life takes a very unexpected twist after Bowie’s untimely death in 2016.

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MOVIE OF THE WEEK December 20, 2019: WHAT SHE SAID: THE ART OF PAULINE KAEL

In an era in which a cacophony of critical voices competes for potential moviegoers’ time and attention — and yet not nearly enough of those voices represent the diversity of the public they’re speaking to — Pauline Kael’s iconic status seems like even more of an achievement. Her remarkable career is the subject of Rob Garver’s insightful documentary What She Said: The Art of Pauline Kael.

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MOVIE OF THE WEEK December 13, 2019: THE BODY REMEMBERS WHEN THE WORLD BROKE OPEN

A chance encounter brings two women together for a day that neither could have anticipated in Kathleen Hepburn and Elle-Máijá Tailfeathers’ drama The Body Remembers When the World Broke Open. Authentic in every way, from the gritty cinematography to the convincing performances, it’s documentary-like in its frank honesty.

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MOVIE OF THE WEEK Dec 6, 2019: PORTRAIT OF A LADY ON FIRE

A picture is worth a thousand words — and leads to a thousand longing glances — in writer/director Celine Sciamma’s passionate drama Portrait of a Lady on Fire. Set in remote mid-1700s Brittany, it follows the increasingly intense relationship between painter Marianne (Noemie Merlant) and her unknowing subject, Heloise (Adele Haenel), who has just left sheltered convent life.

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MOVIE OF THE WEEK November 29, 2010: HALA

Just like romcoms, coming-of-age dramas often feel so familiar that it’s easy to be tempted to write them all off as trite or predictable. And then along comes a smart, engaging film like “Hala,” which brings fresh energy to the whole genre simply by reminding us how many diverse coming-of-age stories we haven’t yet heard.

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MOVIE OF THE WEEK November 22, 2019: SHOOTING THE MAFIA

Anyone who’s ever winced at the mob violence and manipulation in The Godfather will quickly realize it has nothing on the real-life crimes of the Italian Mafia, as captured through Letitzia Battaglia’s talented eye and focused lens. The fearless photographer is the subject of Kim Longinotto’s fascinating documentary Shooting the Mafia.

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MOVIE OF THE WEEK September 27, 2019: RIOT GIRLS

Scrappy and full of style, “Riot Girls” is a memorable first feature from director Jovanka Vuckovic, who shoots for cult-movie status with her story of warring teen factions in an alternate 1995 ravaged by a disease that’s wiped out everyone past the age of pimples and angst.

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MOVIE OF THE WEEK September 20, 2019: EDIE

Fully embracing the idea that it’s never too late to follow a dream or try something new, Edie introduces us to a tenacious octogenarian who refuses to close the book on her life without — literally — climbing one last mountain. Sheila Hancock delivers a compelling lead performance as the titular Edie in director Simon Hunter’s poignant British dramedy about life, aging, friendship, and regret.

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MOVIE OF THE WEEK September 13, 2019: ANGEL OF MINE

Moody and atmospheric, Kim Farrant’s Angel of Mine is part psychodrama, part thriller. Thanks to Farrant’s strong storytelling and confidently convincing performances from stars Noomi Rapace and Yvonne Strahovski, the film brings depth and nuance to its compelling tale of a woman convinced that her long-dead baby is actually alive and being raised by another family.

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