Whistler Film Festival Filmmaker Interview: Ashley Eakin on SINGLE

Single confronts the complexities of being disabled and dating. Kim, who was born with one arm, gets set-up to go on a blind date. When she finally meets Jake, to her horror – he only has one hand. Unable to get over the apparent ignorance of the matchmaker, as well as her own insecurities about being different, Kim tries to bail on the date. Ashley Eakin and Single are nominated for the AWFJ EDA Award for Best female-Directed Short at Whistler Film Festival.

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Whistler Film Festival Filmmaker Interview: Aimee Long on A SHOT THROUGH THE WALL

Inspired by a true event, A Shot Through The Wall is about an Asian American police officer who accidentally discharges his weapon during an investigation, killing a black teenager through an apartment wall. The case spirals out of control as the incident is deemed police racial bias.

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Whistler Film Festival Filmmaker Interview: Wendy Morgan on SUGAR DADDY

Some films jump off the screen to announce the arrival of vital new talent. Such is the case with Wendy Morgan’s Sugar Daddy, starring Kelly McCormack in a tour de force performance as Darren, a new age music composer and performer who is trying to break into the record industry. Sugar Daddy is the opening film for Whistler Film Festival 2020.

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Whistler Film Festival Filmmaker Interview: Elinor Nechemya on OUR HEARTS BEAT LIKE WAR

With his eyes in a fantasy book and his ears to the horrific testimony of an Eritrean refugee, nine-year-old Sinai falls asleep at his mother’s workplace, and his mind drifts away. In his sleep his mother tells him a surrealistic fairytale about a Syrian refugee family living in Sweden. This “fairytale” is about a young Syrian boy who falls into a coma-like situation after the family receives a deportation letter from the government.

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Whistler Film Festival Interview: Susan Rodgers on STILL THE WATER

A former museum curator, Susan Rodgers’ film career started with a wardrobe continuity gig on the television show Emily of New Moon. Soon a box of wartime letters discovered in an attic launched her first film, the half-hour period drama Bobby’s Peace. Rodgers’ inaugural feature film, Still The Water, was completed in the spring of 2020.

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Whistler Film Festival Filmmaker Interview: Emily Dickinson on MARCH

First time director Emily Dickinson’s narrative short March takes place in 2024, and follows an American woman in her mid-twenties, as she travels to Canada to get a now-illegal abortion. A day in her life showcases abortion tourism, the current state of relations between the two neighbouring nations, the implications of a misogynist government, and the resilience of women. March is nominated for the EDA Award for Best Female-Directed Short at Whistler Film Festival 2020.

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Whistler Film Festival Filmmaker Interview: Janice Mingas on WHEN THE NIGHT COMES

When The Night Has Come sheds light on the dangerous reality of systemic racism and police brutality. It tells the story of Matt, a young Black man whose life is forever changed after he is stopped by the police for an identity check. The film is particularly timely.

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Whistler Film Festival Filmmaker Interview: Ariane Louis-Seize on SHOOTING STAR

On a family trip to observe the shooting stars, Chloé, a withdrawn teenager, discovers a dazzling attraction for her mother’s new boyfriend. Ariane Louis-Seize likes to write and film unconventional characters who break down barriers by acting as we would never dare to do ourselves.

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Whistler Film Festival 2020: Female-Directed Documentaries – April Neale previews

Whistler Film Festival continues to be a bright beacon for documentaries, a shining example of programming that showcases cinematic storytelling that connects diverse people with common themes. This year, three distinctly different female-directed documentary features represent the rich diversity of perspectives and highly developed skills of women working in nonfiction film.

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